by Jeanne-Marie Osterman ‧ RELEASE DATE: Feb. 1, 2021
Courageous, insightful, and unsettling poems about war and family ties.
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A daughter recalls her relationship with her father, a World War II sailor, in this volume of poetry.
This collection opens with Osterman explaining that a “shellback” is a veteran sailor, particularly one who has taken part in an often brutal initiation ceremony after crossing the equator for the first time. The poems contained here recount events from the Pacific War theater, where the poet’s father served in the Navy, along with moments from her childhood and adulthood, including caring for her aging dad. Closing lines from the title poem summarize Osterman’s emotional quest: “This is one shellback’s daughter / trying to find that wiser self within / who can forgive these men.” She examines the psychological impact of war that reverberates through the lives of those who served. Poems such as “Portrait of My Father as a Dad” recall threats of punishment: “I’ll break every bone in your body if you don’t turn down that TV.” The author charts her pathway to forgiveness: “I let memories I can’t erase / rest in peace” and portrays her father’s struggle with aging and sickness. Osterman’s poetry is captivating in the way that it freshly describes the traditionally masculine endeavor of military combat. The poet includes her father’s spoken memories in italics: “Those shells were the size of a little league bat.” But in poems such as “Think of It,” childbirth is used to depict the destruction of the combat zone: “Ships giving birth— / landing tanks tumbling / from the monster hole, / scuttling to shore.” In doing so, she lends a vulnerability to the apparatus of war, which counters her father’s tough male bravado. But Osterman is also unafraid to face the shocking realities of battle. Describing the corpse of a kamikaze pilot, she notes: “He’s just a torso— / the end like a sponge / filled with blood.” The manner in which the poet captures her aging father’s descent into infirmity can be similarly unflinching yet never without a vein of tenderness: “Without muscle to sniff or swallow, your mouth / and nose let drain what’s left of your life. / I touch your shoulder. Happy Father’s Day, I say.” Set against the brutal backdrop of war, this is an emotionally perceptive, poignant, and thoughtfully nuanced examination of the father-daughter relationship.
Courageous, insightful, and unsettling poems about war and family ties.Pub Date: Feb. 1, 2021
ISBN: 978-1-73449-653-6
Page Count: 82
Publisher: Paloma Press
Review Posted Online: April 22, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Maggie Stiefvater ‧ RELEASE DATE: June 3, 2025
This luxurious novel is set to take the world by storm.
The true story of Axis diplomats detained in the U.S. at the start of World War II is transformed into a dazzling historical novel set at a sumptuous West Virginia hotel.
Bestselling YA fantasy author Stiefvater’s adult debut introduces a writer whose prodigious imagination and distinctive prose style have combined to create a novel that will remind readers of why they fell in love with reading in the first place. At its center is the captivating June Hudson, an erstwhile Appalachian orphan who was taken in by the wealthy Gilfoyle family, owners of the Avallon Hotel & Spa, a high-society retreat built over underground mineral springs. At his death, the patriarch bequeathed ownership to his playboy son, Edgar, but made June the general manager, as she had spent her life learning the business—and also shared with Gilfoyle Sr. a rare gift relating to the “sweetwater” springs, a fantastical element of this otherwise realistic novel. Aside from the magical waters and a few other fanciful details, Stiefvater’s fictional world is based on extensive research into high-end hotels of the period, creating a version of luxury so appealing that readers will wish they could check into the Avallon and stay on indefinitely. In fact, the novel revolves around the true meaning of luxury. To June, it has nothing to do with wealth; it is more connected to joy, and to the book’s title: “June had long ago discovered that most people were bad listeners; they thought listening was synonymous with hearing. But the spoken was only half a conversation. True needs, wants, fears, and hopes hid not in the words that were said, but in the ones that weren’t, and all these formed the core of luxury.” Also brilliantly managed is the rest of the ensemble cast: sexy FBI agents; June’s inimitable staff; the delegations of Japanese, Germans, and Italians detained at the hotel, some quite nasty, but among them a strange, special, totally silent child. And on top of all this, a delicious love story!
This luxurious novel is set to take the world by storm.Pub Date: June 3, 2025
ISBN: 9780593655504
Page Count: 400
Publisher: Viking
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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by Maggie Stiefvater ; illustrated by Morgan Beem ; Jeremy Lawson & Ariana Maher
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