A winding tale of jewelry-based intrigue darkened by an uncomfortably unhealthy romance.
A gem cutter’s daughter hopes to avoid execution by telling the story of stealing the Sun King’s diamond.
When Juliette Pitau is brought before King Louis XIV, accused of stealing his Tavernier Violet, a blue diamond from India, she knows that explaining her motivation offers her only chance. She’s thrown in the Bastille and given a clerk to take her dictation—René, her one-time paramour. Because René believes her to be as immoral and ambitious as the king does, Juliette crafts her tale to win back his love as well as her life. Juliette’s story begins with her father’s appointment as royal gem cutter and the impossible task he was set involving a blue diamond. This, plus family deaths pushed him into alcoholism. Juliette sought out a Jewish master gem cutter; associating with Jews is listed among her crimes. The novel’s slow pace belies the urgency of Juliette’s impending doom, although the detailed descriptions of jewels and dresses compensate. Juliette emerges as a realistically flawed heroine, but René’s bursts of violent anger, jealousy, and oft-repeated insistence that she scapegoat the Jewish gem cutters to secure her own acquittal show him to be far more toxic than her besotted narration acknowledges. The ethnically Jewish characters are conversos, or Christian converts, portrayed as simply virtuous and inexplicably generous with the Christian French characters who use their knowledge for their own gain. All characters are white.
A winding tale of jewelry-based intrigue darkened by an uncomfortably unhealthy romance. (author’s note) (Historical fiction. 14-18)Pub Date: May 26, 2020
ISBN: 978-1-9848-3741-7
Page Count: 368
Publisher: Viking
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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