So many corpses on display that you won’t need a cadaver dog to sniff them out.
A second outing for dog handler Mason Reid shows him consistently upstaging his canine charges.
Both Mace and his dogs—golden retriever Elvira, German shepherd Sue, farm collie Delta Dawn—specialize in human remains detection. Mace serves as liaison to the Chicago Police Department and several sheriff’s departments; the dogs boast well-trained noses, and Vira something more, an uncanny talent for analyzing scent DNA. The arresting opening tableau, in which they uncover the remains of union negotiator John Averbeck, stabbed to death and dumped in a burning warehouse in the Fulton River District, seems to promise steady work for the cadaver specialists. But first there’s an unrelated homicide—the murder of singer/songwriter Jonny Whiting, the headliner for The U-Turns, bashed to death with his own vintage guitar—whose solution owes less to Mace’s crack team than to Officer Kippy Gimm’s sharp ear for the protests of a suspect who knows too much. Only then can Kippy and Mace join forces to investigate the demise of Peter Feist, of the Cook County State’s Attorney’s Office, whose neck has been broken so badly that he could look behind him if he were still alive. It isn’t long before they realize that mob boss Frank Cappelli Sr., who can’t control his low-functioning namesake son, has full control of behemoth contract killer Cordov Woods and Chicago PD Superintendent Gerald Callum to boot. In fact, the corruption runs still deeper, and Mace and Kippy will be hard-pressed to keep ahead of the bad guys long enough for the dogs to exhibit their welcome but much less unusual secondary talents as lifesaving weapons.
So many corpses on display that you won’t need a cadaver dog to sniff them out.Pub Date: June 29, 2021
ISBN: 978-1-2502-4456-7
Page Count: 288
Publisher: Minotaur
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
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