by Jeffrey Dunn ‧ RELEASE DATE: N/A
A fun romp through the modern American West buttressed by earnest humor and a dash of history.
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Dunn’s comedic novel features a wounded veteran and an itinerant dreamer.
Punxie Tawney is out on his own in the wilds of Washington state, panning for gold in much the same way the prospectors of yesteryear would have. Punxie is freshly back from a tour of duty in Iraq, and though he is up and about, readers quickly learn his tour ended when he was critically injured by a roadside IED while riding in an Army Humvee. Though Punxie might say his faculties are intact, he seems, if not psychologically bereft, to be searching for something or someone. This longing is no doubt exacerbated by the fact that while Punxie was away at war, both his mother and father died in rapid succession, leaving him an orphan. From across the shores of the river where he combs for precious ore, Punxie notices the also memorably named Hamilton Chance, another man ostensibly panning for gold who, Punxie soon learns, is driven by another goal. Hamilton, as he explains to Punxie, is descended from a long line of American patriots, most notably the men who led the Whiskey Rebellion of 1794. Using that rebellion as a call to action, Hamilton’s sole purpose at this stage in his life is to establish a distillery in which he will make tax-free, all-American whiskey (the name of which, the men decide later on, will be “Westcoulatum Good Goddamned 1794 Freedom Whiskey”). Punxie, with little family or obligation tethering him to any one place, soon sets off with Hamilton, and the two of them “go fishing,” using their thumbs as “lures” to hitch a ride to the local library where Hamilton can teach Punxie about his family history. Punxie, perhaps somewhat conveniently, is taken quite quickly with the idea of Hamilton’s distillery and the notion of pure freedom it promises. Things are never so simple, though. When “The Aphrodite of Wenatchee,” otherwise known as Cherry, shows up with her friend Loyalhanna in tow, Punxie’s latent loneliness and desperation for contact—the same things that initially attached him to Hamilton—make it impossible for him to shun human connection, even if it gets in the way of 1794 Freedom Whiskey.
While Dunn’s novel is mostly humorous and generally lighthearted, his prose occasionally rises to the poetic, particularly when describing the landscape: “The sun was beginning to get tired of sterilizing Moses Coulee and was letting gravity pull it toward the Cascades. Soon, it would take its evening dip into the Pacific to cool off for the night, and then Moses Coulee would become a different thing altogether.” Such writing is reminiscent of Dunn’s other work, and fans of his novel Radio Free Olympia (2023) will delight in this return to form. This novel arrives at an interesting time in the American cultural climate; while some readers may have a hard time finding the levity in any discussion of “freedom” or American history, Dunn writes with enough heart and a sufficiently deft hand to wrangle the material with class and self-awareness.
A fun romp through the modern American West buttressed by earnest humor and a dash of history.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Feb. 19, 2025
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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