A riveting unfolding of past traumas and joyful celebration of nature and renewal.
In Dunn’s novel, a retired English teacher returns to the now-transformed Appalachian Rust Belt town he lived in during his senior year of high school, revisiting the love and loss he experienced a half-century ago.
An unnamed narrator remarks that he feels like a “bloomed-out iris in a patch of Wildcat mayapples” now that he’s has retired to Wildcat, a mining/mill town where “Interlopers are rare, even ones like [him] who lived here for a short time.” He has returned, some 50 years later—after living in Pennsylvania, West Virginia, and Upstate New York—at the suggestion of an old friend, Dominic Vitali, who informed him of “Wildcat’s magical changes, ones so different from the disastrous ones of the past” and the news that Carolyn Zalewski, the narrator’s first love when he lived in Wildcat during high school, is back in town. The main character, who had a career as an English teacher and writer, describes “Hotel Wildcat, my new home”—a living/dining collective with inhabitants engaged in artisanal activities (mushroom farming, sassafras furniture molding, and so on) and enjoying locally sourced food. He walks around Wildcat, interacting with various townsfolk and locales, including the riverfront where there are “chunks of concrete scattered here and downstream, a result of the time someone blew a hole in the dam.” The narrative eventually details the momentous events at which it hints early on—mine and dam explosions and a mill fire—that, decades before, jolted the town and the narrator’s relationship with Carolyn. The story ends with sightings of ghosts (dubbed “The Shadows”) that linger in the area, and a celebratory community event.
Dunn appropriately gives his book the subtitle “An Appalachian Romance”; it is indeed a love story, although it’s less about the man and woman at its center and more about the strikingly vibrant world that the author has created. The exact location of fictional Wildcat within Appalachia isn’t revealed, and one can argue that Dunn’s depiction of a modern Rust Belt town as a hub of back-to-the-earth sustainability and artistry is a utopian vision. Still, with his specifics about Wildcat’s new craft-making (who knew sassafras had such uses?), Dunn effectively makes the case that retooling is possible for any town, which makes this book a welcome alternative to the downbeat works that one often sees regarding the region. The novel’s other strengths include how Dunn dramatically shapes the narrative with headline-style punctations; he gives the word “Bang” its own page, just past the novel’s midpoint. His slow revelation of what led to the town’s tragic events is also effective, as when he introduces Carolyn’s brooding brother and the “sickly yellow” interior of her home. At its core, however, this novel is a lovely ode to nature, from a ramps-collecting idyll of young lovers to the “confluence” of the riverfront where “all thoughts and feelings and experiences fail, and it’s upon places like these that The Shadows endure.” This theme culminates in “Lost Surreal Interlude,” a marvelous final section that offers a lightning round of observations of the natural world.
A riveting unfolding of past traumas and joyful celebration of nature and renewal.Pub Date: June 18, 2024
ISBN: 9798873878420
Page Count: 168
Publisher: Self
Review Posted Online: Nov. 27, 2024
Kirkus Reviews Issue: Jan. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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