A blissful travel book transfixed on a specially favored geography, and an intriguing chapter in the author’s ongoing...
Masson, seeker of animal wisdom and human truth (The Nine Emotional Lives of Cats, 2002, etc.), pens a love letter to New Zealand.
Apparently it’s a lot more than Canada in a better location or the place Peter Jackson shot Lord of the Rings. According to the author, this isolated land of do-it-yourselfers, home to four million unpretentious kiwis, is the last Eden, and Masson has found a home at last. He’s applied for citizenship in this antipodal paradise, where prehistoric rainforest primeval flourishes virtually outside his window. In the New Zealand woods, he rhapsodizes over the beautiful puriri, the mighty totara trees, and the friendly piwakqwaka, not to mention the moving call of the morepork. In addition to all the trees, birds, flora, and fauna, New Zealand boasts the natural phenomenon of Sir Edmund Hillary, whom our arborist-ornithologist-philosopher visits eagerly. Masson also salutes all things Maori, with perhaps a bit of equivocation regarding old reports of cannibalism. He provides a suggested itinerary (“follow the route to Titirangi”) to locate some of the pleasures of “Godzone Newzillan” (that’s God’s own New Zealand to you outlanders), from Hot Water Beach to the best falafel in the country. Another plus, declares the author: there are no public intellectuals in New Zealand. On the debit side, the suicide rate rivals Finland’s, people regularly spank their children, and the performing arts are a bit lacking—though Masson overlooks a national anthem that ranks as one of the world’s best. On a personal level, our far-from-shy scribe unabashedly honors his family and himself: in India, Masson recalls, “Pundits could not get enough of my questions and would speak with me in Sanskrit for as long as I could stay awake!”
A blissful travel book transfixed on a specially favored geography, and an intriguing chapter in the author’s ongoing personal history. (English/Maori glossaries; b&w photos, not seen)Pub Date: Aug. 3, 2004
ISBN: 0-345-46614-4
Page Count: 288
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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