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THE LANGUAGE OF CHERRIES

A luminous YA love story with magnetic characters and literary flair.

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A Florida girl and an Icelandic boy communicate without words in this cross-cultural teenage romance.

Sixteen-year-old budding artist Evie Perez is spending an unhappy summer accompanying her geologist dad on his temporary Iceland assignment, fretting that her best friend might be moving in on her boyfriend back in Miami. The one bright spot in the chilly, gray landscape is a cherry orchard that provides both succulent fruit and an inspiring setting for Evie to paint in. An added attraction is 17-year-old Oskar Eriksson, nephew of Agnes, the Scottish woman who runs the orchard; he has a chiseled torso, tousled blond hair, gorgeous dimples, and an uncanny resemblance to a figure in Evie’s painting, right down to a runic tattoo. Oskar is silent and aloof, and Evie supposes he doesn’t speak English; she thus feels free to gripe about her woes, including her beloved abuela’s creeping dementia and her divorced parents’ plan for her to live with her estranged mom in New York. Oskar has his own secrets: His parents and brother died in a car crash; his stutter makes him shy; and he speaks English perfectly. The two spend the summer processing cherries, dodging the odd earthquake, occasionally smoking marijuana, and edging toward passion. But their relationship is complicated by the mystery of Evie’s dream visions, which feature people from Oskar’s past. Hawkins weaves an atmospheric tale that plays Evie’s warmth against Oskar’s reserve and Agnes’ earthiness. The novel alternates between Evie’s point of view, written in well-observed, naturalistic prose with touches of magic, and excerpts from Oskar’s journal in lyrical blank verse. The latter captures Oskar as an awkward, occasionally rancorous adolescent (“It’s the American mentality / that triggers my upchuck reflex: / Take what you want— / when there’s a problem, / throw money at it,” he writes after Evie offers money when she’s caught with pilfered cherries) and as a poetic soul that many teen girls would find hard to resist: “I pick up the guitar / open up my veins / and bleed music / over the strings.” Readers will root for the pair as they try to figure each other out.

A luminous YA love story with magnetic characters and literary flair.

Pub Date: Feb. 10, 2020

ISBN: 978-1-945654-45-9

Page Count: 330

Publisher: Owl Hollow Press

Review Posted Online: April 3, 2020

Kirkus Reviews Issue: June 1, 2020

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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