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THE LANGUAGE OF CHERRIES

A luminous YA love story with magnetic characters and literary flair.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2020

A Florida girl and an Icelandic boy communicate without words in this cross-cultural teenage romance.

Sixteen-year-old budding artist Evie Perez is spending an unhappy summer accompanying her geologist dad on his temporary Iceland assignment, fretting that her best friend might be moving in on her boyfriend back in Miami. The one bright spot in the chilly, gray landscape is a cherry orchard that provides both succulent fruit and an inspiring setting for Evie to paint in. An added attraction is 17-year-old Oskar Eriksson, nephew of Agnes, the Scottish woman who runs the orchard; he has a chiseled torso, tousled blond hair, gorgeous dimples, and an uncanny resemblance to a figure in Evie’s painting, right down to a runic tattoo. Oskar is silent and aloof, and Evie supposes he doesn’t speak English; she thus feels free to gripe about her woes, including her beloved abuela’s creeping dementia and her divorced parents’ plan for her to live with her estranged mom in New York. Oskar has his own secrets: His parents and brother died in a car crash; his stutter makes him shy; and he speaks English perfectly. The two spend the summer processing cherries, dodging the odd earthquake, occasionally smoking marijuana, and edging toward passion. But their relationship is complicated by the mystery of Evie’s dream visions, which feature people from Oskar’s past. Hawkins weaves an atmospheric tale that plays Evie’s warmth against Oskar’s reserve and Agnes’ earthiness. The novel alternates between Evie’s point of view, written in well-observed, naturalistic prose with touches of magic, and excerpts from Oskar’s journal in lyrical blank verse. The latter captures Oskar as an awkward, occasionally rancorous adolescent (“It’s the American mentality / that triggers my upchuck reflex: / Take what you want— / when there’s a problem, / throw money at it,” he writes after Evie offers money when she’s caught with pilfered cherries) and as a poetic soul that many teen girls would find hard to resist: “I pick up the guitar / open up my veins / and bleed music / over the strings.” Readers will root for the pair as they try to figure each other out.

A luminous YA love story with magnetic characters and literary flair.

Pub Date: Feb. 10, 2020

ISBN: 978-1-945654-45-9

Page Count: 330

Publisher: Owl Hollow Press

Review Posted Online: April 3, 2020

Kirkus Reviews Issue: June 1, 2020

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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