Next book

MOTHER OF ALL

The lackluster conclusion to a trilogy that might have succeeded better as a single, heavily edited volume.

The third and final volume set in a high-fantasy world where women reign.

In The Women’s War (2019), a discarded queen casts a spell that lets women decide when and if they have children. By the end of Queen of the Unwanted (2020), a plot to reverse the Blessing—or, as the men call it, the Curse—that set the first book in motion leaves that spell unchanged while seriously damaging the source of all magic in the kingdom of Aaltah. Fans of the first two novels will likely be satisfied with this concluding volume. Good is rewarded. Evil is punished. And the trilogy ends on a hopeful note that delivers on the feminist-lite promise with which the series began. As was the case in the first two installments, the emphasis here is on interpersonal relationships, palace intrigue, and political maneuvering among royals. Readers heavily invested in, for example, Ellin’s marriage to Zarsha will get to spend plenty of time listening to them flirt and strategize over dinners in her private quarters. Readers more interested in action will likely conclude that Glass lingers over phenomena such as late-night pastries a bit more than is necessary. This would perhaps be less notable if there wasn’t a striking sameness to all these scenes. There are, evidently, a lot of royal banquets in Ellin’s world, and each time she is forced to endure one we are reminded that they are long and tedious and that a private meal with her husband is a luxury. While she enjoys this luxury, she and Zarsha have conversations into which the author weaves in backstory she’s already shared at least a few times. And this is the model that Glass uses for the many, many, many characters in this novel: Reintroduce the characters in the scene, show them doing something they’ve done several times before, and maybe inject one new detail that nudges the plot forward. There are exceptions to this rule, but not many, and the end result is a story that runs more than 1,800 pages across the whole series and still feels very small.

The lackluster conclusion to a trilogy that might have succeeded better as a single, heavily edited volume.

Pub Date: July 20, 2021

ISBN: 978-0-525-61842-3

Page Count: 656

Publisher: Del Rey

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

Next book

FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

Close Quickview