Weak and inert, like a dead vampire's heart.
A down-on-her-luck artist discovers her new roommate is a 300-year-old vampire.
Cassie Greenberg barely makes a living from her cobbled-together part-time jobs, her art incorporating trash and recycled items is too avant-garde to be successful, and she has just been evicted from her Chicago apartment. When she sees a Craigslist ad for a room rental in Lincoln Park for only $200 a month, she contacts the owner even though she’s sure there must be a catch. Frederick J. Fitzwilliam, her stunningly handsome new roommate, is a bit of an oddball: His clothes and mannerisms are too formal, he sleeps all day, and he seems completely unaware of how the modern world works. Who doesn’t have Wi-Fi or prefer texting in this day and age! Cassie mostly works when Frederick is sleeping, so they strike up a flirtatious friendship through handwritten notes. When Cassie arrives home early from work one day, she discovers the fridge is full of blood and realizes that Frederick is a vampire. He recently awoke from a centurylong coma and realized that finding a human roommate might help him learn the ropes of the 21st century. The two strike up a tentative friendship, and Cassie agrees to teach Frederick how to navigate the modern world, including using public transportation, ordering drinks at the coffee shop, and shopping for clothes at the mall. It’s a cute setup, one full of potential, but the plot and characters are shallow and underdeveloped. Cassie and Frederick settle into a tame, conflict-free relationship. The details about Frederick’s history and the supernatural world are thin and full of omissions, leaving so many unanswered questions that the book almost feels unfinished.
Weak and inert, like a dead vampire's heart.Pub Date: Aug. 29, 2023
ISBN: 9780593548912
Page Count: 352
Publisher: Berkley
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
A heartfelt look at taking second chances, in life and in love.
Two struggling authors spend the summer writing and falling in love in a quaint beach town.
January Andrews has just arrived in the small town of North Bear Shores with some serious baggage. Her father has been dead for a year, but she still hasn’t come to terms with what she found out at his funeral—he had been cheating on her mother for years. January plans to spend the summer cleaning out and selling the house her father and “That Woman” lived in together. But she’s also a down-on-her-luck author facing writer’s block, and she no longer believes in the happily-ever-after she’s made the benchmark of her work. Her steadily dwindling bank account, though, is a daily reminder that she must sell her next book, and fast. Serendipitously, she discovers that her new next-door neighbor is Augustus Everett, the darling of the literary fiction set and her former college rival/crush. Gus also happens to be struggling with his next book (and some serious trauma that unfolds throughout the novel). Though the two get off to a rocky start, they soon make a bet: Gus will try to write a romance novel, and January will attempt “bleak literary fiction.” They spend the summer teaching each other the art of their own genres—January takes Gus on a romantic outing to the local carnival; Gus takes January to the burned-down remains of a former cult—and they both process their own grief, loss, and trauma through this experiment. There are more than enough steamy scenes to sustain the slow-burn romance, and smart commentary on the placement and purpose of “women’s fiction” joins with crucial conversations about mental health to add multiple intriguing layers to the plot.
A heartfelt look at taking second chances, in life and in love.Pub Date: May 19, 2020
ISBN: 978-1-9848-0673-4
Page Count: 384
Publisher: Jove/Penguin
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK TO SCREEN
PERSPECTIVES
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