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I LOVE YOU, LITTLE BIRD

A simple, colorful book that will likely make excellent bedtime reading.

A sweet, lushly illustrated book about a mother bird’s unconditional love for her baby.

Monroe’s debut picture book, in the vein of Sam McBratney’s Guess How Much I Love You (1994), tells the story of a baby bird who asks his mother a series of hypotheticals about how much she loves him. “[W]hat if I roll in the dirt and get mud all over my face and feathers?” he asks, among other similar questions. The mother, of course, reassures the chick repeatedly. When a crisis occurs later in the story and the flock nearly leaves the baby behind, his mother comes through and protects him, proving that she will always love him no matter what. (The conflict is quite minimal, and doesn’t last long enough to frighten smaller children.) Children will likely enjoy reading this book along with a caregiver, and the question-and-answer format makes for a good interactive bedtime story. The illustrations are lovely, with the birds portrayed realistically rather than cartoonishly; the backgrounds have a charming, sketchy quality that calls to mind magazine illustrations of the 1950s and ’60s, and they include small details that may delight younger children. Illustrator Whittaker-Paek conveys motion with vibrant lines uses colors that make the birds appear fluffy and warm. Some of the language is a bit formal for a children’s book; when the mother bird answers her baby’s questions, he is “pleased with his mother’s reply” and “liked his mother’s response,” rather than simply being happy with her answer. However, the prose will introduce small children to longer words and synonyms and won’t detract from a pleasurable reading experience.

A simple, colorful book that will likely make excellent bedtime reading.

Pub Date: Jan. 24, 2013

ISBN: 978-0615672571

Page Count: 28

Publisher: CreateSpace

Review Posted Online: Jan. 23, 2013

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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