No playing around: Here’s a charming tale that kids will return to again and again.
Two frightened animals deal with loneliness. Can they become friends?
Alfred, a possum, freezes and plays dead whenever he’s nervous. This is problematic, as he’s frequently nervous. Making friends seems unachievable. Then Alfred meets Sofia, an armadillo. She’s also nervous—and when an armadillo feels nervous, it curls into a ball. On their first encounter, each adopts their signature coping strategy. However, realizing they have something in common, the potential pals unfreeze and uncurl and feel better about themselves and each other. Best of all, with time and patience, each comes to understand the other: When Sofia occasionally curls or Alfred freezes, each calmly waits it out, knowing “that when they became themselves again, they would see a friend.” Eventually, the duo’s newfound confidence helps them recognize that some neighbors feel anxious, too, and they reach out with empathetic paws. This is a sweet, reassuring story with a plea for understanding and acceptance of differences that will strike a resonant chord with kids. Alfred, in blue overalls, even when hanging from a branch by his prehensile tail, and Sofia, in her red-flowered hat, even curled up, are the endearing stars of the lively, expressive illustrations. Minimal text on pages and ample white space focus attention on protagonists and action in a woodland setting. Backmatter discusses a variety of animal defense mechanisms.
No playing around: Here’s a charming tale that kids will return to again and again. (Picture book. 3-6)Pub Date: July 21, 2020
ISBN: 978-1-328-78270-0
Page Count: 32
Publisher: Clarion Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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