by Jennifer Bradbury ‧ RELEASE DATE: June 25, 2013
Historical fiction that brings its history to bloody, poignant life: rare and notable.
India, 1947: As Britain prepares to divide the country before leaving, three lives unexpectedly intersect.
The partition of India and Pakistan, based on a border drawn by British civil servants, rarely appears in Western literature, much less fiction for teens. Bradbury pens a careful, respectful—but fictionalized—account of the final days before the line between the countries was announced, recounting it in the voices of three teens. Impulsive, spoiled English Margaret may not be entirely likable, but her love for the strange country she finds herself in is wholly believable and makes her the perfect stand-in for the reader; through Margaret, India in this specific time comes to life, and hard questions about British culpability are asked. Much of Margaret’s complex relationship with India plays out through her growing friendship with Sikh Anupreet, who has been caught in the violence between Sikhs and Muslims already, and Muslim Tariq, who hopes Margaret’s father will be his ticket to Oxford since “[e]veryone listens to the men who have the right education from the right places.” Through Tariq’s and Anu’s voices additional complexities and context are provided. Bradbury’s research (detailed in an author’s note) infuses but never overwhelms the narrative; the lack of solid resolution for the characters suits a book about a violent and confusing time.
Historical fiction that brings its history to bloody, poignant life: rare and notable. (glossary) (Historical fiction. 14 & up)Pub Date: June 25, 2013
ISBN: 978-1-4169-7876-3
Page Count: 288
Publisher: Atheneum
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
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by Jennifer Bradbury ; illustrated by Pearl AuYeung
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by K.L. Walther ‧ RELEASE DATE: March 31, 2026
A light and entertaining plot-driven romance.
A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.
Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.
A light and entertaining plot-driven romance. (Romance. 14-18)Pub Date: March 31, 2026
ISBN: 9780593904794
Page Count: 384
Publisher: Delacorte Romance
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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