A heartfelt but uneven celebration of unique abilities that may inspire readers to help others.
Being different makes the world a better place according to this debut picture book.
“You are UNIQUE! Yes, YOU!” the narrator declares to young readers, addressing them directly throughout. Using very general terminology to promote a universal applicability, the narrator explains that ever since the readers were born (or “created”), they have been unique and there is no one else like them. The narrator discusses feelings of jealousy over others and suggests that sometimes those who are unkind secretly want to be like the readers. The narrator’s straightforward but somewhat repetitive passages emphasize that kindness and caring are important. Campbell’s occasional uses of religious vocabulary (“Every person is a blessing”) are vague enough not to undermine the message of diversity, and the constant emphasis on using unique skills to help others and work together fosters a sense of community. Mehra’s (Flip, the Fainting Goat, 2019, etc.) colorful cartoon illustrations are filled with children of different shapes, skin tones, and abilities. But one image features a negative depiction of an Asian girl in ethnic stereotyped clothing, which may concern some readers. Still, Mehra particularly excels at representing disabled kids taking part in the same activities as their peers.
A heartfelt but uneven celebration of unique abilities that may inspire readers to help others.Pub Date: Nov. 23, 2019
ISBN: 978-0-578-55741-0
Page Count: 32
Publisher: Eiram Media & Publishing
Review Posted Online: Jan. 17, 2020
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
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