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YEAR OF THE WHAT

A chatty, memoir-esque novel that entertains but grows repetitive.

A naïve actor/playwright has a life-changing year in this romantic comedy.

In December, Dana has a rude awakening when she realizes her musician ex-boyfriend, Russell—the man she lost her virginity to—is sleeping with another woman. After relocating to New York City from small-town Canada to pursue her dreams of writing and acting, and immediately jumping into a relationship with Russell, the university grad finds herself at a crossroads. With the help of Kelly, her flamboyant roommate who moonlights as a dominatrix, Dana embarks on 12 unforgettable months of late nights in clubs, wild hookups with younger men, and cross-country jaunts to reconnect with old flames. Dana briefly questions her sexual orientation after two separate encounters with women named Kim but quickly realizes she’s only attracted to the vast selection of men now at her fingertips. A brief fling with buff, macho actor Tony introduces Dana to what she really wants sexually. In turn, Dana finds an ideal balance of romance and sex with visiting Spanish artist Santiago but knows geography makes a longer relationship impossible. And then there’s Henry, a much older playboy who asks Dana to join him for an intimate birthday dinner but who also happens to be Dana’s boss. As the year unfolds, she begins to experience professional success onscreen and off-Broadway and discovers who she is and what she wants from life. Author, playwright, and actor Lieberman based this novel on her one-woman show, Year of the Slut, and her first-person voice as protagonist and narrator Dana is both conversational and charismatic. The reader gets a front-row seat to Dana’s sexual adventures, and watching a young woman own her sexuality while making her career dreams come true is pure, gratifying escapism. However, Dana’s character doesn’t display much vulnerability as she experiences win after win, resulting in a distinctive lack of nuance and a story that turns shallow very early on.

A chatty, memoir-esque novel that entertains but grows repetitive.

Pub Date: N/A

ISBN: N/A

Page Count: 201

Publisher: Maple Mermaid Publishing Corp

Review Posted Online: Oct. 4, 2020

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BLACKTHORN

If you like your romance the darker the better, this one is for you.

A young mother returns to the gothic manor of her childhood to dust off the family secrets and face her old flame.

Maven Blackthorn hasn’t been home since her mom died under suspicious circumstances 12 years ago, but the death of her grandmother, Lorinda, forces her return to Solstice, Vermont. Maven’s daughter, Beatrix, has never seen where her mother grew up, but she quickly learns the Blackthorns have a reputation for witchcraft, largely fueled by a centuries-long feud with the powerful Croft family, whose heir apparent, Ronan, was Maven’s forbidden teenage love and “worst nightmare.” Maven hopes to bid farewell to her grandmother and visit with her aunts without running into Ronan, but he proves hard to avoid. Maven’s hatred for Ronan runs deep and she believes the feeling is mutual. From Ronan’s perspective, it’s clear their painful unraveling was full of misunderstandings. When Lorinda’s body goes missing from the funeral home, Maven is forced to accept Ronan’s help in discovering what happened. While Maven dives into her family history and the many unfortunate events befalling Blackthorn women, Ronan is forever in her ear, seducing her back to him. The push and pull of their romance feels immature, which isn’t helped by the first-person present narration. At times, it’s easy to forget Maven and Ronan aren’t still teenagers, until the erotica is punched up a thousand percent in the final third. Controlling lines from Ronan like “Don’t test my patience, woman” might read better if his perspective were explored more, though fans of Geissinger’s dark erotica, including Brutal Vows (2025), may not be fazed. Maven’s perspective dominates, and though her investigation into family lore and increasing paranoia are the most compelling arc, the million and one ways in which she threatens Ronan with physical violence—“What I really want to do is tie you to a tree, disembowel you with my bare hands, feed your guts to the wolves, and cut off your head”—is a bit one-note. Trigger warnings abound.

If you like your romance the darker the better, this one is for you.

Pub Date: Nov. 4, 2025

ISBN: 9781250379139

Page Count: 368

Publisher: Bramble Books

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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THE THINGS WE LEAVE UNFINISHED

A charming dual-timeline romance about learning from past mistakes.

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In Yarros’ latest romance novel, a young woman hires a handsome but infuriating writer to complete her late great-grandmother’s half-finished book.

After her marriage to a Hollywood producer ends in high-profile divorce, 28-year-old Georgia Stanton returns to her childhood home in Colorado. When she arrives at the house where she was raised by her great-grandma—the famous romance author Scarlett Stanton—she finds her mother, Ava, lying in wait. Georgia is in possession of the only unfinished manuscript that her deceased relative left behind, and her own mom wants her to sell the rights so they can get some cash. Georgia succumbs to the pressure and enters a deal in which another author will finish the book’s second half. The manuscript tells Scarlett’s life story, including how she found, and lost, her one true love. Georgia feels strongly that the finished novel must reflect the true events of Scarlett’s life, as difficult as they may have been. Unfortunately, the publishers hire Noah Harrison, a stubborn writer at the height of his career, who has his own fictional vision for the novel’s ending. As Noah and Georgia butt heads, each of them researches Scarlett’s history in England during World War II. As they learn more about Scarlett and Jameson Stanton, the fighter pilot she loved, Georgia and Noah must navigate their own increasingly complicated relationship. With two equally engrossing storylines, this book will draw in even seasoned romance readers. As the story jumps between past and present, the author also alternates present-day perspectives between Georgia and Noah, moving deftly between her characters’ distinct voices. The relationships are well developed, and the love that Scarlett felt for Jameson is especially palpable. Along with the sweetly romantic themes, the book explores several heftier topics, including personal ambition, grief, family discord, and self-esteem. The story has a few digressions that do little to advance the plot, but the main characters are sufficiently engrossing that readers will want to stick with them to the end.

A charming dual-timeline romance about learning from past mistakes.

Pub Date: Feb. 23, 2021

ISBN: 978-1-68281-566-3

Page Count: 400

Publisher: Entangled: Amara

Review Posted Online: Jan. 20, 2021

Kirkus Reviews Issue: March 1, 2021

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