Royals, revenge, curses, and prophecies done right.
The tale of the Trojan War told by three women who have their own battles to fight.
Elektra is just a girl when her father, Agamemnon, leads the largest Greek army ever assembled to wage war against Troy. She pines for his return as she comes of age over the decade it takes for Troy to fall. Her mother, Clytemnestra, seethes with rage, grief, and, above all, the desire for vengeance for what her husband is willing to sacrifice for this war of vanity. Meanwhile, in Troy itself, Cassandra watches the daily horrors unfold. Try as she might to warn her people of the devastation she sees coming, she can’t overcome her reputation as a madwoman. The novel is told from the first-person points of view of these three women, and, at first, trying to sort out all the names and family histories, however familiar, feels like the homework assignment it once was. But with the pieces in place, author Saint animates the three women and sets them off. Clytemnestra, the most fully realized, propels the narrative forward with a fresh, raw depth of emotion for a story that’s been told through the ages. Elektra’s and Cassandra’s sections can feel repetitive, but they tend to be shorter, which quickens the pace. Together, these voices show how three very different women understand family, the costs of war, and how to exercise their power. While Helen, Clytemnestra’s twin sister, has some nuance in this version, it seems odd that Saint chose not to take the opportunity to animate the perspective of the legendary beauty who incited the war. Nevertheless, the women whose perspectives are represented are riveting.
Royals, revenge, curses, and prophecies done right.Pub Date: May 3, 2022
ISBN: 978-1-250-77361-6
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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