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CHILD BRIDE

A captivating story of a strong African American woman who pursues her dreams.

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In 1950s Louisiana, an African American teenager must leave childhood and her ambitions behind when she marries an older man in this coming-of-age novel about the black diaspora, resilience, and courage.

Until the age of 16, Nell Jones’ home is a ramshackle house on “one of many small hog and pecan farms owned and worked by the descendants of sharecroppers and former slaves.” There, her mother teaches her how to cook, her father shows her how to use a pocket knife to peel an apple in one long spiral strip, and her oldest brother, Robert, tells her how to find the North Star in the night sky. Most of all, Nell loves school, where Miss Parker, a teacher, nurtures her naturally inquisitive nature and her passion for reading. Cocooned in the love of her family and her small community, Nell knows little of the outside world, but she later realizes, “for black southerners racism lived in the air we breathed.” Nell is still an innocent teen when Henry Bight comes to claim her as his bride and take her north to Boston. There, her dreams of becoming a teacher quickly evaporate in the face of Henry’s possessiveness and insistence that she have as many babies as possible. A few years later, Nell is the mother of three young children, a lonely and unfulfilled woman tied to an angry and controlling man. But she does possess an inner strength and stubbornness that will not allow her to simply abandon her dreams. Turner’s warm and personal narrative brings to life the vigor and interdependence of black communities in both the South and the North of the mid-20th century. Nell is an appealing, penetrating, and spirited protagonist whose struggles are relatable to all readers, but much of the power of her story lies in the fact that it is grounded in African American society. White characters make an occasional appearance, but the tale is centered on the black experience. It is disappointing that Nell’s eventual fate seems to rely heavily on the trappings of class privilege, but the book as a whole is uplifting and dynamic.

A captivating story of a strong African American woman who pursues her dreams.

Pub Date: April 14, 2020

ISBN: 978-1-68463-038-7

Page Count: 209

Publisher: N/A

Review Posted Online: April 16, 2020

Kirkus Reviews Issue: May 15, 2020

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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