A clever, if not new, concept with uneven execution.
A rhyming glimpse at round shapes in nature.
“Nature all around is round,” begins this exploration of shapes round or partially round in nature, beginning with a tiny bird and ending with the planets in our solar system. The pair of two-word phrases in each illustration, each dyad ending with “round,” rhymes: “Glowing round. / Growing round,” reads the text in a spread that features fireflies encased in rings of lights and a crescent moon. In a spread featuring a frog, the creature hangs on tight to a lily pad caught on a small current (“Cling round”) and then jumps into the water, creating ripples in the water that “Ring round.” Some pairings will prompt discussion more than others, such as an empty nest that is “Nest round” paired with a nest filled with bird eggs that is “Best round.” Children will notice that the shapes featured aren’t all circular in nature; some have merely rounded edges, such as the budding leaves on a tree, raindrops, and clouds. Most phrases are modified nouns, such as “Flake round,” though one is a full sentence (“Make round” for a snowman on the same spread), and some are modified verbs. The primarily earth-toned, uncluttered spreads provide a simplified, close-up look at the natural elements and animals named as round. Readers would be better served by Joyce Sidman’s and Taeeun Yoo’s Round (2017), in which all shapes are circular. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
A clever, if not new, concept with uneven execution. (Picture book. 3-8)Pub Date: Sept. 29, 2020
ISBN: 978-1-5344-3119-5
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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