An evocative but cluttered collection by a passionate nature lover.
A Canadian writer who grew up in rural Ontario offers a volume of nature-themed poetry.
As Yeates Camara explains on the copyright page, this book’s title refers to the process of firing a piece of pottery in low oxygen conditions. This is reflected in her minimalist style of poetry. The first part of this collection, “Winter,” explores nature scenes like estuaries, the silent flight of a bird, and the leaves of a Japanese maple tree. In “Lovely,” the poet compares the sparse beauty of bare ranges in winter to mature women. “Make the Best” features forests of older siblings, clouds of aunts, seas of cousins, and a grandfather sun and grandmother moon. Yeates Camara takes on the perspective of a scarecrow in the eponymous poem. A series of numbered poems about love opens the “Autumn” portion. The “Summer” segment presents sensual poems brimming with desire, fantasies, and passion: “I find / my bones yet longing for your weight.” And the “Spring” section starts with a piece dedicated to a woman who succumbed to bipolar depression, then abruptly ends with a series of biblical-style poems about the speaker’s “master.” The author’s descriptions are vivid. A cormorant is portrayed as “slick and near / soundless.” Pines dance “dramatic / slow ballets” while maples move to “lively jazz.” Yeates Camara’s similes are strong, from “rippling like the elephant’s ear / or ticking tails like bulls” to “A heart peaceful and lively / Like a child running arms full span.” But formatting problems make for an arduous reading experience. There are no page breaks between poems, so multiple pieces are crammed onto each page, eliminating the necessary white space and breathing room between entries. The seemingly indiscriminate line breaks also muddle the meaning of some of the poems. For example, “I realized / today / it wasn’t you that I’ll / always be wanting / more / warmth” is difficult to decipher.
An evocative but cluttered collection by a passionate nature lover.Pub Date: May 25, 2021
ISBN: N/A
Page Count: 100
Publisher: Yeates Expressions
Review Posted Online: June 6, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
