These essays will resonate most strongly with women of a certain age and economic status.
Would an Erma Bombeck of the 21st century have subscribed to the New Yorker? If so, she might have written, or at least identified with, this debut essay collection by a writer who has appeared in that magazine and elsewhere but whose topics have resonance beyond the metropolitan parochial.
As she notes, like all mothers, Allen (The Long Chalkboard: and Other Stories, 2006) experiences parenting problems, such as the one detailed in “I Can’t Get That Penis Out of My Mind,” when she discovers that some boy has emailed her teenage daughter a photo of the title offender and she vacillates between rueful amusement and horror. “Just as grieving has its stages, I now enter a new stage of reacting to seeing a penis picture in your daughter’s email,” she writes. “I have passed through Shock, Panic, Hilarity, Pity; now, finally, I enter Outrage. My God, it is not all right to send a picture of an erect penis to a thirteen-year-old. What effect has it had on her?” Such problems give way to empty-nester issues, underscored in the aftermath of divorce. “I live alone,” she begins the next essay, “It’s About Time.” “These things happen. Your children grow up, your husband leaves, and then you are one. This is a happy story, I promise, but I do need to say this: Get ready. You may be next.” Throughout the book, Allen’s humor never approaches the belly-laugh level, like some of her New Yorker pieces; these are more in the vein of bittersweet, wry observation. And sometimes you have to laugh to keep from crying, as when the subject shifts to cancer and chemotherapy (“Hair Today, Gone Tomorrow”). Allen has toyed with mindfulness and meditation, and she plainly has the Twelve Steps lingo of AA down pat, but she writes like the woman next door, even if the next door isn’t in Manhattan.
These essays will resonate most strongly with women of a certain age and economic status.Pub Date: June 6, 2017
ISBN: 978-0-374-11832-7
Page Count: 240
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
An expert blend of musical and social history, illuminating one of the cultural cores of America's ``Gilded Age.'' In the 1880s, as accurately depicted in Edith Wharton's Age of Innocence, the upper echelons of New York society flocked to Faust (a scene carefully retained in Martin Scorsese's recent film version). But by the 1890s, Wagner fever had overtaken America's most ardent opera patrons, and not in New York alone. This is the world that Horowitz (The Ivory Trade, 1990, etc.) reveals in his fascinating, gracefully written study of American Wagnerism. Currently executive director of the Brooklyn Philharmonic, formerly a New York Times music critic, and a long-time student of the interplay between musical art and national culture, Horowitz orders his narrative around the parallel careers of the conductor Anton Seidl and the New York Tribune critic Henry Krehbiel. He evokes an era when issues of aesthetics and musical philosophy were the common currency of middle-class discussion. From the viewpoint of today's world, in which the column inches devoted to serious arts criticism in the daily papers have shrunk to virtually nothing, fin-de-siäcle America was, musically and intellectually, an enviably lively place. Wagner's works dominated the stage, and his music and ``ideas'' were the subject of passionate debate. To this extent, Horowitz proves his thesis that the ``Gay '90s'' were not the crass, lowbrow scene its detractors have claimed. One fascinating recurrent theme in this study is the positive impact of Wagnerism on emerging feminism at the turn of the century. It appears that a majority of American Wagnerites were women, and the idea of Brunnhilde (as well as the regal dramatic sopranos who portrayed her) fit neatly with the notion of the ``New Woman'' then sweeping the nation. A work of engrossing scholarship about an important, unjustly ignored slice of our artistic past.
Pub Date: Oct. 1, 1994
ISBN: 0-520-08394-6
Page Count: 352
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
As is to be expected from Lessing (The Real Thing; 1992, etc.), whose clear and always intelligent no-nonsense writing has explored subjects that transcend the commonplace, this first volume of her autobiography reflects all her remarkable strengths. The year of her birth, 1919, was auspicious neither for her parents in particular nor for the world in general. The ill-matched Taylers had married not out of love but out of a mutual need to expunge the horror of the recently ended world war, which had maimed Lessing's father both physically and mentally — he'd lost a leg in battle, but more important, be was embittered by what he considered Britain's poor treatment of her soldiers. Her mother, an able nurse, had lost a fiancÉ, and marriage now seemed to offer only the consolation of children. These disappointments, exacerbated by the harsh life in rural Zimbabwe (then Southern Rhodesia), where her family settled after a stint in Persia, would indelibly shape Lessing. She quarreled frequently with her mother, whose well-meaning strictures she resented; observed her father's despair and his failures as a settler-farmer; and resolved that she would not live like them — "I will not, I will not!" — even if it meant defying convention. Which she did, as she left her first husband and their two children for another man — Gottried Lessing; joined the local Communist Party in the midst of WW II "because of the spirit of the times, because of the Zeitgeist"; and then moved in 1949 permanently to London. Like so many bright and alienated provincials, Lessing found an escape in voracious reading. Though determined to be a writer, the consuming distractions of motherhood, wartime society, and political activities frustrated this ambition for a long time. Refreshingly, not a self-indulgent mea culpa, but a brutally frank examination of how Lessing became what she is — a distinguished writer, a woman who has lived life to the full, and a constant critic of cant.
Pub Date: Sept. 22, 1994
ISBN: 0-06-017150-2
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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