Astute observations are marred by extended passages of evasive, self-indulgent prose.
An obliquely experimental stream-of-consciousness novel.
It’s almost impossible to say what Hval’s latest novel is about. It’s not even clear that it is a novel. An unnamed narrator delivers a monologue that touches on, among other things, Norwegian black metal, Edvard Munch’s painting Puberty, porn, avant-garde film, and witchcraft. The narrator grew up in the 1990s in southern Norway, where she found herself nearly stifled by religious and social conservatism. The best parts of the book are her extended analyses of these topics, as when she writes that “Maybe the only way an artist can escape capitalism and patriarchy today is to use art to disappear as an individual.” But there are far more passages that don’t really make any sense at all. In these moments, Hval seems to aspire to an absurdist surrealism that she never quite reaches: Her narrator is too constrained by her own anger and frustration to achieve humor or even whimsy. It’s not just that it’s difficult to follow her thought processes; it’s that in throwing off every convention of fiction—and memoir, and scriptwriting—the book becomes almost entirely solipsistic. Every image, phrase, and reference winds up referring only to the narrator herself, and one wonders if, in the end, she’s become even more constrained than she was to begin with.
Astute observations are marred by extended passages of evasive, self-indulgent prose.Pub Date: Oct. 6, 2020
ISBN: 978-1-78873-895-8
Page Count: 240
Publisher: Verso
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Bailey hits it out of the park with her latest spicy romance.
Two ambitious athletes plus one fake-dating arrangement—what could go wrong?
Though it’s only his first season for the Boston Bearcats hockey team, Robbie Corrigan has a well-established reputation as a playboy. He’s got major skills on the ice, and he’s also much more likely to love ’em and leave ’em than he is to build any long, meaningful relationships. Naturally, he’s just met the one woman who seems completely resistant to his charm: Skylar Page, a Boston University softball pitcher. When they meet over a friendly Saturday morning baseball game, Robbie instantly makes a poor impression by bragging to his teammates about his latest conquest within Skylar’s hearing. He thinks she’s gorgeous, though, and when he sets his sights on her, he’s surprised that she doesn’t seem to know it. Despite her initial distaste for Robbie, Skylar grudgingly confesses that she could use his help. If they pretend to date, maybe her current crush—her brother’s best friend—will finally sit up and take notice of her in a romantic way. The timing is less than ideal, since Robbie will have to team up with Skylar in the Page family’s latest wilderness competition, but it turns out that Robbie’s willingness to play fake boyfriend stems from some very real feelings. He wants to prove to her that he’s a changed man, and redeeming himself in her eyes starts with making sure she knows that she can really trust him. The latest addition to Bailey’s Big Shots series is a sexy, feel-good romance brimming over with the author’s trademark humor and dirty talk. While Skylar and Robbie’s dynamic doesn’t quite reach the level of enemies-to-lovers—he’s so head-over-heels for her that there’s no room for any real mean-spiritedness—their playful snark doubles as a welcome dash of foreplay in the lead-up to some seriously steamy scenes. Robbie’s efforts to show Skylar that he’s turned over a new leaf also result in some of the book’s best moments, emphasizing his commitment to becoming the type of man he knows she deserves.
Bailey hits it out of the park with her latest spicy romance.Pub Date: Sept. 9, 2025
ISBN: 9780063380837
Page Count: 336
Publisher: Avon/HarperCollins
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
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