A well-intentioned but frustrating debut that never comes together.
After she’s kidnapped and smuggled to California, a young Chinese woman tries to survive in late-19th-century America.
As a child, Daiyu doesn’t have much to worry about: Her life in a small village is quiet, full of her grandmother’s beautiful garden and the rich tapestries her parents weave. Soon enough, though, things get complicated: Her parents suddenly disappear, and when Daiyu and her grandmother find out they've been arrested, Daiyu is forced to leave home. Though she briefly scrounges a living in nearby Zhifu, working for a calligraphy master she reveres, she’s soon kidnapped herself, imprisoned, and finally shipped off to America, where she’s expected to work in a brothel. Daiyu’s journey ultimately takes her to the small town of Pierce, Idaho, where she masquerades as a young man and works as a shop assistant. There, she both falls in love and is confronted with the ugly reality of rising anti-Chinese violence, which puts her safety and that of her friends at risk. Debut novelist Zhang has thoroughly researched this period; certain details, like Daiyu’s making her Pacific crossing in a coal bucket, startle and linger. Yet the relentlessly hopeful tone of much of the novel can feel discordant given the often grim realities of this historical period, which are gestured at here but not explored fully: Zhang’s depiction of sex work is superficial, and despite Daiyu’s long-term cross-dressing, the novel is disappointingly uninterested in queerness. It often feels designed more for teenagers than adult readers—Zhang’s expository explanation of the Chinese Exclusion Act is particularly leaden—and so its thoroughly bleak ending, partly inspired by a real historical massacre, comes as a jarring surprise. There’s nothing wrong with darkness—this novel could have used more—but its mix of tones feels out of whack.
A well-intentioned but frustrating debut that never comes together.Pub Date: April 5, 2022
ISBN: 9-78-1-250-81178-3
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
An engrossing, action-packed sequel with a compelling cast.
A woman must undergo fearsome trials to free the imprisoned Titans of Greek myth in Owen’s fantasy novel, the second in a series.
Advancing from minor office clerk in the Order of Thieves to Queen of the Underworld, Lyra Keres’ star should be rising. But thanks to Cronos, King of the Titans, she and her longtime friend and fellow thief Boone have been ensnared in a new challenge beneath the earth: Hot on the heels of winning the twisted Crucible Games, Lyra—who has recently been granted goddess powers—finds herself trapped in Tartarus. Separated from her beloved Hades, she must liberate the fearsome Titans from seven Locks to restore the cosmic balance. As Lyra progresses through the Locks engineered by the Gods—each as tricky and lethal as the last—the pressure mounts as the Titans repeatedly remind her, “You will be our savior.” Rhea, the wife of Cronos, reveals that Lyra began this quest “a hundred and fifty years ago,” adding further devastation to the task at hand; the knowledge is helpful, but also painful, as Lyra reflects, “Suddenly, I don’t want to know that it’s real. Because then I have to contemplate how many times I might have ended up in Tartarus already.” As she materializes in and out of time pockets, Lyra sees Hades’ troubled childhood unfold and struggles not to intervene to save the man she loves. In this second entry in the author’s Crucible series, following The Games Gods Play (2024), Lyra’s cynical quips continue to make her an engaging protagonist. Her inner monologues are balanced with hope, love, and longing for Hades as she meets various versions of him. While resilient, Owen’s heroine is also vulnerable (“Was I his pawn in more ways than I ever realized?”). Her introspection effectively contrasts with the simmering rage and restraint in Hades’ chapters. The supporting Titans are given more depth than the traditional myths allow, weaving a knotty family fabric for the reader to navigate alongside Lyra.
An engrossing, action-packed sequel with a compelling cast.Pub Date: Oct. 21, 2025
ISBN: 9781649378538
Page Count: 500
Publisher: Entangled: Red Tower Books
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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