An intimate and tragic look at how traumatic incidents affect individuals, their families, and others around them.
When she was 8 years old, Emilia DeJesus was brutally assaulted.
She says that she was saved by crows and acted like a bird in order to protect herself. Now 16, Latina (half-Mexican and half-Salvadoran) Emilia longs to put the attack behind her and be “normal.” She lives with her mother, Nina, and her brother, Tomás; her father, Sam, unable to handle the aftermath of Emilia’s attack, left the family. As a coping mechanism, Emilia envisions her father living in Alaska, figuratively freezing him in time. During intimate moments with her boyfriend, Ian, Emilia stiffens up and has flashbacks to her traumatic incident, causing difficulties for their relationship, as he is unsure of how best to support her. She is certain of the identity of her attacker, who has spent the last several years in prison, but something happens that leads her to question the validity of her memories. Meanwhile, the elementary school Emilia went to is going to be bulldozed, and she begins to sneak out of the house to hide out in an old classroom, somewhere she feels safe. Sanchez (Because of the Sun, 2017, etc.) deftly shows the long-lasting impact of the assault by switching between multiple characters’ points of view, although some perspectives feel extraneous to the story.
An intimate and tragic look at how traumatic incidents affect individuals, their families, and others around them. (Fiction. 14-18)Pub Date: June 12, 2018
ISBN: 978-1-5247-3775-7
Page Count: 448
Publisher: Philomel
Review Posted Online: April 29, 2018
Kirkus Reviews Issue: May 15, 2018
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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