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ON SNOWDEN MOUNTAIN

Smoothly written but not cohesive or memorable. (Historical fiction. 8-12)

When her mother falls into a catatonic depression, 12-year-old Ellen finds herself whisked from lively Baltimore to an obscure Blue Ridge mountain.

It’s 1942, and Ellen’s daddy is off fighting in the war and Mama’s hit one of her sad spells. Unable to cope, Ellen summons Mama’s forbidding spinster sister, Pearl, who takes them both back to Virginia to live with her. There, Aunt Pearl tends to Mama while Ellen attends a one-room schoolhouse. One boy, a nearly illiterate 15-year-old named Russell, rarely comes to school, and when he does he smells strongly of the skunks he traps. When Aunt Pearl sends Ellen to Russell’s house with food, she meets Russell’s abused mother, a childhood friend of her mother’s, and his abusive father. An odd friendship develops, in which Russell shows Ellen some of the beauties of the mountain forest, and she tutors him in reading and math. Meanwhile, Russell’s mother tries to help Ellen’s mother heal. Told from Ellen’s first-person point of view, the novel has good sentence-level writing but falls short in two key points. Ellen often seems an observer in her own story, describing what happens to her but never really influencing the action. (Even her initial call for help happens offstage.) Also, the narrative arcs of the characters fail to satisfy—it’s hard to see what each person wants or gains. The age difference between Russell and Ellen may cause some readers to find the relationship a bit creepy. The novel adheres to a white default.

Smoothly written but not cohesive or memorable. (Historical fiction. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7636-9744-0

Page Count: 208

Publisher: Candlewick

Review Posted Online: June 9, 2019

Kirkus Reviews Issue: July 1, 2019

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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