While much is speculation, Charyn’s ardent sleuthing yields a daring portrait of the elusive “enchantress” and her world.
A writer obsessed with the Belle of Amherst imagines her rich, sensual inner life.
After spending two years writing a novel, The Secret Life of Emily Dickinson (2010), Charyn (Bitter Bronx: Thirteen Stories, 2015, etc.) felt dissatisfied: “I knew less and less the more I learned about her.” Now he turns to nonfiction, mining the prodigious research he conducted for the novel: biographies, literary criticism, archival research, “psychoanalytic studies of her crippled, wounded self, tales of her martyrdom in the nineteenth century, studies of her iconic white dress, accounts of her agoraphobia,” and interviews with artists, poets, and scholars. Charyn analyzes artist Joseph Cornell’s evocation of Dickinson and poet Adrienne Rich’s empathetic interpretation. The result is an absorbing, though necessarily speculative, meditation on Dickinson’s personality, yearnings, and elliptical poetry. For Charyn, Dickinson was a powerful, mysterious woman in charge of her own life. He dismisses the idea that she was a “helpless agoraphobic, trapped in her room in her father’s house,” although her father was overbearing and kept his daughters “on an invisible leash.” Dickinson, he believes, was equally tyrannical. “She built a whirlwind around her and lived within its walls.” She was “promiscuous in her own fashion, deceiving everyone around her with the sly masks she wore.” She was an outlaw, “an alchemist,” a “witch of the Imagination,” “the mistress of her own interior time and space,” and possibly bisexual. Charyn is intrigued by one scholar’s argument that Dickinson had a romance with another woman, with whom she may have sat for a daguerreotype reproduced as the book’s frontispiece. “None of us will ever get near enough to Emily,” he writes ruefully.
While much is speculation, Charyn’s ardent sleuthing yields a daring portrait of the elusive “enchantress” and her world.Pub Date: March 15, 2016
ISBN: 978-1-934137-98-7
Page Count: 256
Publisher: Bellevue Literary Press
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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