A long but energetic tale that’s rife with drama and mystery, both in and out of the courtroom.
A Florida lawyer has the chance to help a former client on trial for murder in Blair’s (College Football Etiquette, 2015, etc.) legal thriller set in the late 1970s.
Racial tension is a serious problem in Lincoln County, Florida, in 1979. So when cops arrest an African-American man, Lindsey Wilkens, for allegedly murdering a white, affluent car dealer, Arthur Burnside, it seems like a conviction is imminent. Lindsey’s wife, Marie, calls J.T. Lockman, the chief assistant in the Lincoln County public defender’s office. J.T. represented Lindsey years ago when he was accused of selling stolen tools that someone else discarded. The attorney was upset over losing that case and is confident now that Lindsey’s not a killer. Unfortunately, the police have Lindsey’s confession, which they forcibly coerced by using an electric cattle prod. J.T. works to get that confession tossed out and also notices discrepancies in the crime scene photos. There’s a strong Ku Klux Klan presence in the area, and its members are all but certain that Lindsey will receive the death penalty. One of the Klansmen is the cryptically named Nighthawk, whom J.T. and his fellow attorneys come to believe is the actual killer. They just have to match a face and name to the sobriquet—and some evidence, to boot. The author rigorously incorporates issues of race into the plot, which enhance the narrative without overwhelming it. Suspense, too, is in abundance: Nighthawk’s identity, as well as the fiendish Klan Wizard’s, remain unknown until the end. A surprising amount of the story takes place outside the courtroom; J.T. and his team meticulously investigate the case, but Lindsey is disappointingly absent for much of the novel’s latter half. J.T., though, is an engaging protagonist. Although he’s committed to a woman named Deena, the daughter of a wealthy local businessman, his eyes (and hands) perpetually wander to other women; however, his back story provides a convincing reason why he has “some kind of history” with “half the girls from the courthouse.”
A long but energetic tale that’s rife with drama and mystery, both in and out of the courtroom.Pub Date: March 2, 2016
ISBN: 978-1-5238-4795-2
Page Count: 660
Publisher: CreateSpace
Review Posted Online: April 12, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.
A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.
From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.Pub Date: May 5, 2009
ISBN: 978-0-451-22681-5
Page Count: 368
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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