The novel is deeply moving in many respects, but its central relationship never quite convinces.
At the center of McGill’s first novel is an affair between a young Black man and a White Jewish woman nearly twice his age.
Rashid is in his 20s, waiting tables at an Italian restaurant, when he meets Rachel, who is married with two kids. Rachel’s suburban life is worlds away from Rashid’s own. Despite that, or perhaps in part because of it, their attraction to one another is immediate, and intense. Or so McGill says. Throughout the book, conversations between the two characters feel oddly lukewarm. The reader knows of their passion for one another because we are told of it directly, not because that passion rises off the page of its own accord. But in nearly everything else, McGill is a master of nuance, and he teases out the knots in Rashid and Rachel’s relationship with ease. While Rachel seems hell-bent on self-destruction, Rashid slowly paves his own way—he’s working out the man he’d like to be and the life he’d like to lead. Rashid’s talks with Marlon, a close friend, are some of the most moving passages in the book even as they pester and tease each other. “Your white girl,” Marlon says. “You still seeing her?” “Yeah, I’m still seeing her. Seeing her tomorrow night, in fact,” Rashid says. “So this becoming a regular thing, huh?” Marlon says. “She still married?” McGill’s prose can acquire a quick, musical rhythm before settling into more expansive sections that deftly take on questions of race and class. In many ways, the novel is a wonder to behold. If only its central conceit—two characters flooded by a massive, gasping love—had shown slightly more chemistry.
The novel is deeply moving in many respects, but its central relationship never quite convinces.Pub Date: Nov. 9, 2021
ISBN: 978-1-5420-3029-8
Page Count: 195
Publisher: Little A
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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