Fans of Seinfeld will eat this up, and aspiring comics will want to study how he shapes his seemingly effortless humor.
“All comedians are slightly amazed when anything works.” So writes Seinfeld in this pleasing collection of sketches from across his four-decade career.
Known for his wry, observational humor, Seinfeld has largely avoided profanity and dirty jokes and has kept politics out of the equation. Like other schooled jokesters, perhaps most famously Bob Hope, he keeps a huge library of gags stockpiled, ever fearful of that day when the jokes will run out or the emcee will call you back for another set. “For the most part, it was the people who killed themselves to keep coming up with great new material who were able to keep rising through the many levels,” he recounts of his initiation into the New York stand-up scene. Not all his early material played well. The first piece in this collection, laid out sentence by sentence as if for a teleprompter, is a bit about being left-handed, which comes with negative baggage: “Two left feet. / Left-handed compliment. / Bad ideas are always ‘out of left field.’ / What are we having for dinner? / Leftovers.” He gets better, and quickly, as when he muses on the tininess of airplane bathrooms: “And a little slot for used razor blades. Who is shaving on the plane? And shaving so much, they’re using up razor blades. Is the Wolfman flying in there?” For the most part, the author’s style is built on absurdities: “Why does water ruin leather? / Aren’t cows outside a lot of the time?” It’s also affable, with rare exceptions, as when, taking on a mob boss persona, he threatens a child with breaking the youngster’s Play-Doh creations: “Nothing wrong with sending your child a little Sicilian message once in a while.” One wishes there were more craft notes among the gags, but the ones that are there are both inspiring and gnomic: “Stand-up is about a brief, fleeting moment of human connection.”
Fans of Seinfeld will eat this up, and aspiring comics will want to study how he shapes his seemingly effortless humor.Pub Date: Oct. 6, 2020
ISBN: 978-1-982112-69-1
Page Count: 480
Publisher: Simon & Schuster
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
An above-average celebrity memoir from an intriguing spirit.
The longtime Hollywood actor looks back.
“What does it mean to be a ham?” asks the author, rhetorically. “Was I a ham? I was naturally and inordinately theatrical. I liked to carry on. I liked attention. I liked extravagant speech. I liked to emote. I liked to talk.” All of these qualities are abundantly evident in Kilmer’s memoir, which is as much a spiritual journey as it is a chronicle of his life and career. The author recounts the depth of his Christian Science faith, his formative years in a family of privilege in Los Angeles, his teenage romance with fellow actor Mare Winningham (“my first real girlfriend”), his training and rebellion at Juilliard, and his decision to leave Broadway for Hollywood. There, he writes, “I was not yet a burgeoning talent but ‘Cher’s lover,’ ” when she was in her mid-30s and he in his early-20s. After scoring big with Tom Cruise in Top Gun, Kilmer turned down Blue Velvet and Dirty Dancing: “Neither part spoke to me.” He played Jim Morrison in Oliver Stone’s The Doors, which he considers “one of the proudest moments of my career.” Marlon Brando and Sam Shepard went from being idols that Kilmer worshipped to becoming friends. He was slated to star as Batman in three films but jumped ship after Batman Forever, which he considers “so bad, it’s almost good.” He married and divorced British actor Joanne Whalley and wooed Daryl Hannah (“kind of the female me, only better”), and he wrote and starred in a one-man show as Mark Twain. When he was hospitalized for surgery due to his throat cancer, he prayed, he read Twain and Christian Science’s Mary Baker Eddy, and he “didn’t wrestle with my angels. I sang and danced with them.” Kilmer was never a shrinking violet, and he still refuses to wilt.
An above-average celebrity memoir from an intriguing spirit. (photos)Pub Date: April 21, 2020
ISBN: 978-1-9821-4489-0
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 11, 2020
Kirkus Reviews Issue: April 1, 2020
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
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