Brilliantly devastating.
In the hours before his 1853 public execution, both the young Dane slated to die and various community members reflect on the nature of the punishment, highlighting the social, ethical, and even economic impacts of such displays.
With only hours left to live, 15-year-old Niels’ final reflections are so strangely calm, so devoid of anger and fear, that readers may at first assume his acceptance signifies guilt. However, the gentle lyricism with which he recalls the love he shared with his father—in spite of their homelessness and desperate fears of workhouse imprisonment—becomes a powerfully stark reminder of the brutality of his current situation. And while readers understand that his role in the sheriff’s son’s death is undeniable, the carefully paced reveals of the specific circumstances leading up to the fatal incident ultimately suggest Niels’ greatest crime might simply have been poverty. Interrupting Niels’ reflections are chapters showcasing the townspeople, who primarily demonstrate condemnation of Niels but also curiosity, occasionally sorrow, and even excitement about the very public spectacle of his gruesome death. These vignettes effectively suggest that the town’s quest for justice and closure has, in reality, turned many citizens into beings far more monstrous than Niels himself. Altogether, it’s an incredibly moving, harrowing, and thought-provoking look at the historical connections between poverty and injustice, made all the more frightening because of the novel’s relevance to current social issues.
Brilliantly devastating. (Historical fiction. 14 & up)Pub Date: March 22, 2016
ISBN: 978-1-4814-2965-8
Page Count: 144
Publisher: Atheneum
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
Evil that is impossibly difficult to comprehend and filled with word-images that will leave readers gasping. The author’s...
Gerta didn’t know she was Jewish until she and her father were taken for transport by the Nazis.
When Bergen-Belsen is liberated, Gerta and the other survivors are ill, skeletal, dying, or sunk in madness, and they have no homes to which they can return. Relating the events that led her there, she tells of a seemingly carefree life in Würzburg with her musician father and German gentile stepmother, an opera singer who is also Gerta’s voice teacher. But they were living with false identification papers, and their lives become ever more withdrawn. She has fleeting visions of her early childhood in Köln, of her mother, and of Kristallnacht. The cattle-car journey to Theresienstadt is only the beginning of days, weeks, months, years filled with unspeakable horrors in the “intricacies of the Nazi web…the animalization of human souls.” Then comes Auschwitz, where her father is gassed, then Bergen-Belsen, typhus, and, finally, a kind of awakening to her own humanity. Later she covertly enters British-occupied Palestine, Eratz Yisrael, and builds a life there. Stamper spares readers nothing. Everything that Gerta witnesses or experiences really happened in the hell that was the Holocaust, including the further humiliations in its aftermath, a rarely told part of the story. The text is on pale, sepia-toned paper with dark, eerie illustrations in the same tones, reminiscent of real drawings produced by camp inmates.
Evil that is impossibly difficult to comprehend and filled with word-images that will leave readers gasping. The author’s dedication says it all, in both Hebrew and English: “Remember.” (author’s note, map, glossary, resources, acknowledgments; not seen) (Historical fiction. 14-adult)Pub Date: Feb. 20, 2018
ISBN: 978-1-5247-0038-6
Page Count: 272
Publisher: Knopf
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
An important, well-executed work of historical fiction.
The story of two teenagers at the end of World War II: one raised by Nazis, the other a German immigrant new to the United States.
It’s 1946, and Eva is arriving in America, a refugee from Germany. The narrative then flips to 1945. Sixteen-year-old Inge has been raised a Nazi, her doctor father a prominent figure and integral part of the concentration camps. In the aftermath of the war, Inge realizes the atrocities her father and her people were responsible for and vows to atone for the murdered innocents. These are postwar young women hoping to do right by their complicated pasts, the story alternating between their points of view. While the horrors of the Holocaust are certainly discussed, the brutal realities of postwar Germany and the gray areas between good and evil offer a lesser-seen view of World War II. Cameron slowly, delicately weaves these seemingly disparate stories into one seamless storyline. As the two merge into one, there are twists and turns and plenty of edge-of-your-seat moments, even if the pace is a little inconsistent. The grim realities will stay with readers long beyond the book; the truths shared are honest but not gratuitous. All of the main characters are White, though African American artist Augusta Savage plays a minor role, and some background characters are people of color.
An important, well-executed work of historical fiction. (author's note) (Historical fiction. 14-18)Pub Date: Oct. 5, 2021
ISBN: 978-1-338-35596-3
Page Count: 464
Publisher: Scholastic
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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