Readers will die for the delightfully absurd hijinks in this dark comedy.
Murder and mayhem crash the wedding of the year.
Meddelin “Meddy” Chan thought she knew all about her mother’s meddlesome ways. She’s spent her whole life surrounded by the strong-willed women in her Chinese Indonesian family—including her four aunties—and she’s learned better than to fight what they think is best. In fact, it’s their influence that made Meddy break up with her secret college boyfriend, Nathan, and stay at home to join her family’s wedding business as a photographer. But when Meddy finds out that her mother has been posing as her on a dating app for weeks—and has set her up with a guy—she’s still shocked. Even more so when she meets Jake, a hotelier who turns out to be self-centered, rude, and the exact opposite of her type. When Jake tries to attack her and Meddy accidentally kills him, she’s suddenly grateful to have five women in her life who are willing to help her hide the body. Things get complicated, though, when a cooler containing the body is accidentally shipped from her aunt’s bakery to the wedding of billionaires Tom Cruise Sutopo and Jacqueline Wijaya—and Nathan turns up as part owner of the resort where the ceremony is taking place. But this is the biggest gig her family has ever had, and they’re certainly not going to let a corpse get in the way. Comparisons to Crazy Rich Asians are apt, as the author details the wild spending and luxurious lifestyles of the superrich. But this story is filled with mistaken identity, a gaggle of intoxicated groomsmen, five lovably hilarious sisters, and slapstick humor that leans more toward the film Clue.
Readers will die for the delightfully absurd hijinks in this dark comedy.Pub Date: April 27, 2021
ISBN: 9780593333037
Page Count: 352
Publisher: Berkley
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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