Next book

MURDER, SHE WROTE

DEATH ON THE EMERALD ISLE

The delightful descriptions of the history and beauties of the Irish island seriously overshadow the mystery.

It’s true: Jessica Fletcher can’t go anywhere without finding a dead body.

Jessica’s friend and fellow author Lorna Winters has broken her leg and can’t go to Northern Ireland to pick up the American Author Guest of Honor Award, which also involves several interviews and panels, so Jessica has agreed to fill in for her. When her Cabot Cove neighbor Maeve O’Bannon asks Jessica to deliver some paintings made by her grandfather to her relatives in the village of Bushmills, near Belfast, and offers to arrange her stay in a lovely hotel, Jessica agrees even though Maeve’s relatives, who are involved in the family beauty product business, don’t always get along. After a lovely time at the book festival in Belfast, where she meets Maeve’s cousin Dr. Michael O’Bannon, the company’s figurehead, she’s picked up by Owen Mullen, another family member, and driven to the River Bush Hotel. Dougal Nolan is the charming host whose daughter, Maggie, is Owen’s intended. During a dinner at Jane Mullen’s mansion, tensions among the relatives threaten to boil over even in front of two Frenchmen who are visiting to discuss a merger. The next morning, Jessica sets off on a bike ride and finds Michael O’Bannon dead in his car. Of course, she can’t resist investigating. With help from an eager Maggie, she delves into several possible motives for murder, some of them very close to home.

The delightful descriptions of the history and beauties of the Irish island seriously overshadow the mystery.

Pub Date: Jan. 3, 2023

ISBN: 978-0-593-33368-6

Page Count: 288

Publisher: Berkley

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

Next book

HIS & HERS

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

A news presenter and a police detective are brought together by murders in the British village where they both grew up.

There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

Pub Date: July 28, 2020

ISBN: 978-1-250-26608-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

Next book

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Close Quickview