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THE FIRST COLLECTION OF CRITICISM BY A LIVING FEMALE ROCK CRITIC

REVISED AND EXPANDED EDITION

A canny blend of punkish attitude and discographical smarts that blasts boys-club assumptions about pop music.

A wide-ranging assortment of essays and reportage on rock, pop, country, and hip-hop, conscientiously putting women front and center.

The title of Hopper’s book (which revises and expands a 2015 edition) isn’t a brag but rather an air horn announcing a problem: Just as female musicians have been dismissed, marginalized, and abused by a patriarchal industry, Hopper is just one of many women music journalists who was told “it was perverse to tangle up music criticism with feminism or my personal experience.” So being “first” is as much a lament as an assertion, but the best pieces show how thoughtfully the author has used her position. Essays on Liz Phair, Kim Gordon, Miley Cyrus, and Lana Del Rey underscore how the negative “personas” applied to them are often used to obscure and undermine their talent. In one emotionally intense interview, Björk reveals how, more than four decades into her career, she’s had to prove she writes her songs. Hopper elevates underappreciated women-led acts like D.C. punks Chalk Circle and calls out misogyny in the system: Her landmark 2003 essay, “Emo: Where the Girls Aren’t,” chastised the scene for confusing sad-boy sensitivity with proactive feminism, and she reports on women country artists’ oft-futile efforts to gain airplay. The author convincingly argues that staying silent on such inequities has consequences, a point underscored by an interview with journalist Jim DeRogatis on R. Kelly’s track record of sexual assault and music journalists’ turning a blind eye to it. Hopper is stronger as a reporter and cultural observer than a track-by-track reviewer; the collection is padded with reviews that reflect her wide range of tastes but are stylistically flat. However, as she points out in the fiery conclusion, the book exists in part to expose other female writers to what’s possible with diligence and a refusal to compromise. In that regard, it’s essential reading. Samantha Irby provides the foreword.

A canny blend of punkish attitude and discographical smarts that blasts boys-club assumptions about pop music.

Pub Date: July 6, 2021

ISBN: 978-0-374-53899-6

Page Count: 448

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: April 23, 2021

Kirkus Reviews Issue: May 15, 2021

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QUESTIONS WITHOUT ANSWERS

Deep—and often hilarious—thoughts from wee ones.

Questioning the “popular depiction of children as adorable idiots.”

“What should you do on the last day of your life?” It’s a question Socrates might have pondered. In reality, it’s a question posed by a young child—one of the many earnest queries asked by preschoolers in this whimsical and sometimes profound collection. Manguso, the author of nine books, among them the novels Liars and Very Cold People, included questions from her son that she wrote down in his early years. She also solicited entries from other parents on social media. “Before I started spending time around children,” Manguso writes in a preface, “I thought that people who paid close attention to these simpletons were people who had decided not to be interesting anymore. I thought that people found their own children fascinating simply because they’d been biologically hypnotized into loving them. Once I learned what children are really like, I immediately wanted to create an artifact of their weird eloquence.” Manguso divides these questions into a handful of categories; People, Animals, and Big Things are a few of them. The questions reflect the curiosity, thoughtfulness, and innocence of these “dizzyingly fast-learning engines of art and experiment”: “What do clouds taste like?” “Did horses know they were in a war?” “How do you get the meat off the animal without hurting it?” Each question is paired with imaginative and playful drawings by Finck, a New Yorker cartoonist. “When the baby is born, how do the parents know its name?” The accompanying drawing shows a mother cradling a tiny baby who is waving to her. A thought bubble above his head reads, “Hi. I’m George.” This is a book that will appeal to anyone who has raised humans or is thinking of raising humans—or is a human.

Deep—and often hilarious—thoughts from wee ones.

Pub Date: April 29, 2025

ISBN: 9780593733622

Page Count: 176

Publisher: Hogarth

Review Posted Online: Feb. 12, 2025

Kirkus Reviews Issue: March 15, 2025

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ONE LIFE

An inspiring memoir that will thrill soccer fans as well as social justice activists.

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The soccer superstar discusses her life on and off the field and how she has used celebrity in the service of social justice.

Rapinoe grew up in “an athletic family” in small-town Northern California. Early in childhood, she and her identical twin, Rachael, revealed exceptional physical gifts. Both began playing soccer on a boys team at age 6 and quickly overshadowed peers with their "instinctive hand-eye coordination and physical fearlessness.” Later, they played on an all-female team their father created until both were selected to join a bigger, more competitive one in Sacramento. As their soccer skills developed, the sisters discovered a passion for justice of all kinds. “My sister and I have this in common: nothing riles us up more than bullying, cheating, unfairness,” writes the author. Eventually, this passion for social justice became the cornerstone of Rapinoe's stances on such issues as LGBTQ+ rights, pay equity in sports, and the Black Lives Matter movement. When the author reached college in 2004, she surpassed Rachael as an athlete and received an invitation to play in the FIFA Under-19 Women's World Championship in Thailand. In 2006, she joined the U.S. national team as the "youngest and least experienced player.” A major knee injury put her out of contention for the 2008 Olympic team but also taught her the meaning of patience and humility. After college, she turned professional and, in 2012, publicly came out as a lesbian. After a World Cup victory in 2015, Rapinoe became a vocal advocate for pay increases for female athletes, and in 2016, she took a knee to protest racial injustice. This candid memoir about an outspoken White athlete who has consciously "extend[ed] [her] privilege" to those marginalized people both in and out of the sporting world is sure to engage general audiences and soccer fans alike.

An inspiring memoir that will thrill soccer fans as well as social justice activists.

Pub Date: Nov. 10, 2020

ISBN: 978-1-984881-16-8

Page Count: 240

Publisher: Penguin Press

Review Posted Online: Sept. 23, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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