Dripping in magic, strong women, and forbidden love.
A Middle East–inspired fantasy version of “Aladdin and the Magic Lamp.”
Jinni Zahra, long imprisoned in her lamp, has languished for hundreds of years in a dead city as punishment for a mysterious transgression against her kind, one that also resulted in the betrayal of the warrior queen who last held the lamp, whom Zahra still mourns with the term of endearment “Habiba.” A young thief guided by a magic ring finds the city and lamp, freeing her. Other jinn quickly offer her a bargain from their ruler: he will free her from the lamp if she rescues his son, imprisoned in Aladdin’s home city—a deal with a strict time limit. Zahra uses Aladdin’s desire for vengeance against the drug-addled king’s brother—the sadistic power behind the throne—for his revolutionary parents’ deaths and the ill treatment of the peasantry. Aladdin’s audacious and bold but unable to kill, so Zahra offers an alternative revenge: he will seduce and marry the crown princess, become king, and expel his enemies—bringing them to the palace and supporting her mission. But iron-willed Caspida is no typical princess, and Zahra’s feelings for Aladdin steadily grow—despite the taboo against jinni-human love that destroyed her Habiba. Khoury allows Zahra to narrate in the first person, placing her in a distinct fantasy world that draws on Middle Eastern tropes but is no cognate of real-world geography. Though the dynamic ending fully concludes their story, readers will likely long for more stories—say, 1,000 of them.
Dripping in magic, strong women, and forbidden love. (Fantasy. 12 & up)Pub Date: Feb. 23, 2016
ISBN: 978-1-59514-767-7
Page Count: 352
Publisher: Razorbill/Penguin
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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