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BAD WITCH BURNING

A gripping, supernatural twist on the no-win decisions created by the cycle of poverty.

Desperate for money, a teen uses her superpowers to connect with the dead.

Katrell Davis can talk to the dead. She doesn’t know why or even how her powers work, but for a small fee, clients pay her to communicate with their deceased loved ones. When she accidentally brings her dog back from the dead, everything changes. Understanding that a live body is worth a lot more than a ghost—and she might not have to worry anymore about the bills each week—Katrell moves forward with this lucrative new business even as each resurrection makes her sicker than the last. When bad things start happening and she attracts the attention of some dangerous people, she must decide whether the money is worth it. There are pacing challenges toward the end as the narrative stalls due to some repetition, but the character development is outstanding, and each character is drawn in a way that evokes a reaction—even if it is anger or disgust. The positioning of school as a hindrance to earning money for daily survival expertly shines light on the experiences of people facing food insecurity. The exploration of foster care and related fears around the ramifications of entering the system are well written, with just enough information to cultivate understanding without overexposing young readers to trauma. Primary characters are Black.

A gripping, supernatural twist on the no-win decisions created by the cycle of poverty. (Paranormal. 13-18)

Pub Date: Aug. 24, 2021

ISBN: 978-0-593-17738-9

Page Count: 368

Publisher: Delacorte

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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SOME MISTAKES WERE MADE

A powerful tale of found family and first love.

After a year away, Ellis returns home to confront her past.

Graduating from high school far from everything familiar was not part of Ellis Truman’s original plans, but she nevertheless ended up spending her senior year with her aunt in California. In Indiana, Ellis practically grew up with the Albrey family and their three tightknit sons, Dixon, Tucker, and Easton. Now, Tucker wants her to return home for matriarch Sandry Albrey’s 50th birthday celebration on the Fourth of July—but Ellis is dreading seeing Easton, as they haven’t talked since she left. Chapters alternate between past and present, and much of the story unravels slowly: How did she come to live with the Albreys? What caused Ellis to then end up in San Diego? What happened in her relationship with Easton? Patient readers will find the heartfelt tension pays off. With her father in and out of jail and an absent mother, socio-economic differences separating Ellis from the middle-class Albreys don’t go unnoticed, and Ellis’ down-to-earth journey shows how she unpacks her feelings about her relationship with her parents. The slow-build romance is swoonworthy, and young adult fans of Colleen Hoover seeking emotional devastation and unforgettable characters will find much to enjoy here. Characters read as White.

A powerful tale of found family and first love. (Fiction. 14-18)

Pub Date: May 10, 2022

ISBN: 978-0-06-308853-5

Page Count: 384

Publisher: HarperTeen

Review Posted Online: Jan. 10, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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