Elegant, subtle, and sad.
A year in the inner life of a solitary woman in an unnamed European city.
"Unfortunately my childhood harbors few happy memories. Instead I would tell her about the balcony of my apartment when the sun is shining and I'm having breakfast. And I would tell her how much I liked to sit outside, pick up a warm pen, and write down a sentence or two": Here the melancholy narrator of Lahiri's first book of fiction since The Lowland (2013) explains how she responded to a therapist's request to say something positive at every session—perhaps suggesting the genesis of the book in our hands. Its spare, reflective prose and profound interiority recall the work of Rachel Cusk and Sigrid Nunez as much as Lahiri's earlier fiction, which generally focused on the Indian immigrant experience in the U.S. Lahiri now lives in Italy, wrote this book in Italian, and translated it herself. In 46 brief chapters identified by "whereabouts"—"On the Sidewalk," "At the Ticket Counter," "By the Sea," "In My Head," etc.—the narrator gives her impressions of the people and places she encounters in her provincial European city, not noticeably Italian until the last chapter, when she watches some tourists on the train practice saying arrivederci. Troubled by unresolved feelings about her dead father and elderly mother, the narrator is not much closer to her friends and lovers than to the people she so carefully observes in her meanderings about town. One day, one of the otherwise invisible lovers she refers to butt dials her over and over; when he calls to invite her to dinner that night, she refuses. Though she claims solitude "has become [her] trade," she admits "it plagues [her]." As time progresses, the view seems to darken. "Disoriented, lost, at sea, at odds, astray, adrift, bewildered, confused, severed, turned around....These words are my abode, my only foothold." Fortunately, she has a plan that may change things for her.
Elegant, subtle, and sad.Pub Date: April 27, 2021
ISBN: 978-0-7352-8146-2
Page Count: 176
Publisher: Knopf
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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