by Jill Christman ‧ RELEASE DATE: Oct. 14, 2002
Deft but hardly easy reading. (20 b&w photographs and drawings)
A debut memoir of sexual abuse, bulimia, and other horrors.
Before Christman (English/Ball State Univ.) was born, her 13-month-old brother Ian was badly burned in the shower. Their father, consumed by guilt because he had left the toddler unsupervised, fled the family. When Ian was three, his parents very briefly reconciled, which led to Jill’s birth. Ian’s burning, the memory that defines the Christman family, is “remembered” by all four, even though their mother was away at work and Jill was not yet born. This is an account of remembrance, about memories that cannot be trusted unless they’re verified by snapshots from a family scrapbook or verbally by another person. Christman’s narrative has a dreamlike quality: it doubles back on itself, jumps from past to present, and flaunts the narrator’s unreliability. (“I think I made that up” is a repeated refrain.) Fast-forward to the author at age 19. She’s a straight-A student who can’t stop vomiting and can’t sleep. A campus counselor suggests that bulimia almost always results from sexual abuse and prescribes Prozac. Suddenly the author remembers six years of abuse at the hands of a neighbor. Is the memory true? Remembering that another man was present, she approaches him, and he verifies it. At this point, a fragile Christman becomes involved with her best friend’s brother, seemingly her first healthy relationship. One year later he’s killed in a car crash. The story then switches to the author’s uncle Mark, an alcoholic in and out of trouble with the law. This account is more linear than the first half and relies much less on family photographs. Arrested in Washington State for growing marijuana, Mark is sentenced to ten years in federal prison. Halfway through his prison sentence the author and her mother arrive to visit, only to find that Mark has bled to death, alone in his cell, just hours earlier.
Deft but hardly easy reading. (20 b&w photographs and drawings)Pub Date: Oct. 14, 2002
ISBN: 0-8203-2444-2
Page Count: 254
Publisher: Univ. of Georgia
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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