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READING BEHIND BARS

A MEMOIR OF LITERATURE, LAW, AND LIFE AS A PRISON LIBRARIAN

A compassionate perspective on prison life.

A newly minted librarian discovers the importance of reading for prison inmates.

In 2008, with a fresh degree and few job prospects, Grunenwald (Running with a Police Escort: Tales from the Back of the Pack, 2017) took her first professional position in a men’s minimum security prison in her native Ohio. Although she came to her new job with part-time experience in public libraries and a master’s degree in library and information science, she felt completely unprepared for the restrictive prison environment. “I had neither intended nor set out to become a prison librarian,” she admits, not even fully understanding what a “correctional facility” really entailed. In a forthright, gently told memoir, the author portrays herself as both naïve and well-intentioned as she deals with inmates—mostly serving time for drunken driving charges or drug convictions—for whom a prison library meets a range of needs. Some read local newspapers, some consult law books or, with limited access, LexisNexis; one inmate confesses that he wants to read the books he should have read in high school; a few take the opportunity to hide behind bookshelves to masturbate—one of the many infractions that Grunenwald must report. The library also serves as a place of respite. For inmates who work as library assistants as well as for those who come to read, the library is “a unique pocket of freedom” within the highly regimented and surveilled prison. What Grunenwald encountered on her first day was a huge mess: outdated reference books, mixed-up encyclopedia volumes, inadequate shelving, unprocessed donation books, and two computers for inmate use, one of which was continually broken. In addition, she confronted a plethora of rules that governed inmate behavior, movement, and her own responsibilities. Quickly, she had to establish her authority. “Power in prison is in constant flux,” she notes, with inmates having the power “to inspire fear within the staff.” After 20 months, “tired and burned out,” Grunenwald left for another job, hoping she helped some inmates to develop a real love of books.

A compassionate perspective on prison life.

Pub Date: July 2, 2019

ISBN: 978-1-5107-3706-8

Page Count: 360

Publisher: Skyhorse Publishing

Review Posted Online: April 9, 2019

Kirkus Reviews Issue: May 1, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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