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INTO THE PLANET

MY LIFE AS A CAVE DIVER

Told with sensitivity and joyful enthusiasm, this is an inspiring story that will appeal to many, especially adventurous...

Enchanting tales of “swimming through the veins of Mother Earth.”

Heinerth (The Scuba Diver’s Guide to Underwater Video, 2016, etc.), an award-winning Canadian filmmaker and professional cave diver, delivers an exhilarating, deeply personal memoir about her career as a woman in a male-dominated profession. In spare, crisp prose, she chronicles a “life immersed in a relationship with this element that nourishes and destroys, buoys and drowns—that has both freed me and taken the lives of my friends.” She has learned to “accept and welcome fear” because, as she notes, “more people have died exploring underwater caves than climbing Mount Everest.” Heinerth recounts fighting sudden, torrential underwater cave streams, developing new diving equipment, and suffering decompression illness. She began with diving lessons and got hooked. At 27, she left a lucrative job in Toronto to work at a dive resort in Grand Cayman, guiding visitors through long, sinuous tunnels. On a solo dive, she discovered her first cave, filled with ornate stalactites. The author got certified as a cavern diving expert, later making a name for herself with underwater photography and articles in diving magazines. She chronicles her adventures exploring Florida’s vast network of caves and, in Mexico, a six-hour round-trip swim into the world’s deepest cave. Next up, in 1995, she helped survey the world’s longest underwater cave. A few years later, she was one of the divers to make the first 3-D imaging of an underwater cave. In 2001, with support from National Geographic, she embarked on one of her most incredible adventures. A massive iceberg in the Antarctic Circle had broken off the Ross Ice Shelf, and Heinerth and her crew battled 60-foot wave peaks and ice floes on a Shackleton-esque journey to explore a part of it. Deep within, they found an “ecosystem living in total isolation, an undiscovered world thriving in darkness.”

Told with sensitivity and joyful enthusiasm, this is an inspiring story that will appeal to many, especially adventurous young women.

Pub Date: Aug. 27, 2019

ISBN: 978-0-06-269154-5

Page Count: 352

Publisher: Ecco/HarperCollins

Review Posted Online: May 11, 2019

Kirkus Reviews Issue: June 1, 2019

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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