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EVERYTHING AFTER

An often melancholy but romantic tale about the importance of compromise and growth in relationships.

When a young woman’s marriage hits a road bump, she reconnects with a long-lost love and wonders whether she followed the wrong path into her adulthood.

Emily Gold has a handsome husband and a successful therapy practice at NYU. What she wants now is a baby. After a couple of years of marriage, her husband, Ezra, a respected pediatric oncologist, is finally ready to start trying. Unfortunately, it takes several months to conceive, and shortly after they do, Emily miscarries. The miscarriage awakens Emily’s memories of a miscarriage she suffered more than a decade earlier when she was in college and deeply in love with a man named Rob. Rob and Emily were part of a band, and they delighted in performing together. After the college miscarriage, Emily distanced herself from not only Rob, but also her own musical ambitions. Now that she’s lost another baby and her husband refuses to grieve with her, Emily starts missing Rob and the person she was when she was with him. It’s particularly difficult for Emily to forget Rob now that he’s finally had success as a musician; she hears his voice whenever she turns on the radio. Emily tracks him down so they can explore whether they gave up on their relationship too soon. Once Emily begins spending time with Rob again, she wonders if Ezra will try to fight for her and whether that’s even what she wants. Told primarily in the third person, the book is interspersed with first-person journal entries from earlier in Emily’s life. Most of the story occurs in New York, and Santopolo paints vivid pictures of city sights and West Village hot spots while, in the college flashbacks, she deftly captures the passion that can pervade early adulthood as well as the nostalgia that follows those intense experiences. Despite a few scenarios that strain credulity, like a therapy patient whose personal circumstances too perfectly mimic what could have happened to Emily, the book is consistently entertaining. More than just a love triangle, the story explores difficult topics ranging from grief and loss to self-doubt and suicide.

An often melancholy but romantic tale about the importance of compromise and growth in relationships.

Pub Date: March 9, 2021

ISBN: 978-0-593-08696-4

Page Count: 336

Publisher: Putnam

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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