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SOME GIRLS

MY LIFE IN A HAREM

A gritty, melancholy memoir leavened by the author’s amiable, engrossing narrative tenor.

The journey of a teenaged theater-school dropout enticed into traveling to Southeast Asia to be a “harem girl.”

Christened “Mariah” by her ballerina birth mother, the author was renamed “Jillian” by her Jewish adoptive parents who acquired her through an illegal “gray-market” transaction. A rocky childhood in suburban New Jersey was followed by a hardscrabble tenure in Manhattan after the author abandoned a New York University education, opting instead for the “proverbial school of life.” Desperate for cash, she exchanged waitressing for stripping, then began escorting for a madam. In the early 1990s, a lucrative offer to “amuse a rich businessman in Singapore” seemed too good to pass up, and it was revealed that the job was really with Prince Jefri (nicknamed “Robin”) of the affluent Brunei royal family. Eager to be relieved of her East Coast “bohemian mantle,” Lauren abandoned a loving boyfriend and her hospitalized father to embrace an “alarming recklessness,” flying to Singapore with only $30, which she spent on a cab to the airport. Together with “Destiny,” another girl chosen from the interviews, Lauren arrived at a high-walled palace, was stripped of her passport and embarked on a life of endless late-night parties populated by beautiful, multicultural and highly competitive women. Crash courses on etiquette, bowing, Muslim customs and basic subservient behavior ensued, all preparing her for the brilliance and ease of an opulent lifestyle with playboy prince Robin. After extending her stay, however, depression, homesickness and harsh reality sent her back to New York, where an unwelcome pregnancy spurred a fruitless search for her birth mother, along with a few shocking twists. Lauren, who considers singer Patti Smith “the barometer of all things cool and right,” is a deft storyteller, imparting equal parts poignant reflection and wisdom into her enlightening book.

A gritty, melancholy memoir leavened by the author’s amiable, engrossing narrative tenor.

Pub Date: April 27, 2010

ISBN: 978-0-452-29631-2

Page Count: 352

Publisher: Plume

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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