A quirky conglomeration of popular culture that’s worth the price of admission.
Wagstaff, a modern Renaissance man, believes the universe speaks to him through images of film scenes as he follows clues that lead him to humorous, harrowing situations.
Berkin puts popular culture to the test as Professor Wagstaff, a lecturer of film and art (among various other professions), sets out to solve a mystery. Wagstaff luckily has some very powerful friends, and Rafik, his superior at an ambiguous government entity, supports him in his unorthodox method of investigation. Upon discovering some “copies of The Third Man in a succession of yard sales,” Wagstaff believes the universe is sending him upon his next adventure, and when he discovers that Rob, the IT guy, has disappeared, Wagstaff decides it’s his duty to locate him. Upon this quest, films begin to overlap and the clues lead him to discoveries that may help him save the world from an evil plan of domination. Wagstaff has many friends through his connections as a professor, and his beloved former students often step in to help him along the way. Everyone is aware of his unique methods, and many, even Wagstaff himself at times, know he’s eccentric and possibly insane, but they all seem to accept this about him. His inherent flaws are endearing, and he overlooks much else to focus on the role of film in his next adventure. The book reads like a script as Wagstaff self-deprecatingly narrates his exploits. And true to silver-screen format, there are explosions, sexual tension, big money, plot twists and lowbrow humor. Berkin pulls out all the stops; no big screen moment is lost in this tale.
A quirky conglomeration of popular culture that’s worth the price of admission.Pub Date: June 14, 2012
ISBN: 978-1477532720
Page Count: 282
Publisher: CreateSpace
Review Posted Online: July 30, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.
Lt. Eve Dallas is sucked into a murder that may well be overshadowed by another crime—and by the news that Roarke, her billionaire husband, is implicated in both felonies in an unexpected and troubling way.
Disturbed from her sleep, Aileen Carville arises to discover her wealthy husband, Nathan Barrister, coshed to death by a heavy amethyst from the collection of his late father, Zip Global founder Henry J. Barrister. His corpse is lying outside an open vault that everyone in the family insists they hadn’t known about until a couple of months ago, and it’s filled with priceless paintings and sculptures and jewels taken years ago from an A-list of museums, one of which—the Royal Suite, a legendary emerald setting—has evidently been stolen once again. The bombshell revelation that Henry must have commissioned the thefts himself leads to two questions—how did the thief who killed Nathan know about the vault and its contents, and what possessed Nathan’s wealthy father to steal and hide all these goodies in the first place?—that are much more interesting than whodunit, though only one of them will be satisfactorily answered. Another bombshell revelation follows: Roarke’s confession to Dallas that he stole the Royal Suite from London’s Tate Gallery when he was still a teenager, years before he turned away from a life of crime himself. Since Interpol is much more interested in the theft than the murder, there’s a real danger that they’ll decide Roarke was once again the thief. So, Dallas faces the double challenge of solving the crimes and keeping her beloved husband out of the frame.
The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.Pub Date: Feb. 3, 2026
ISBN: 9781250414526
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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