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RICH THANKS TO RACISM

HOW THE ULTRA-WEALTHY PROFIT FROM RACIAL INJUSTICE

Of interest to students of ethnic and economic equity and social justice.

A survey of an economy tilted strongly in favor of the ultrawealthy, who are overwhelmingly White.

For corporate America, writes civil rights attorney Freeman, the damage wrought by systemic racism is a feature, not a bug. Addressing fellow White readers, he advances the familiar but still important observation that, shielded by all manner of psychic and social defenses and avoidance strategies, that audience has trouble discussing such issues as racial inequality and White privilege: “As a result, we, as a whole, continue to demonstrate a shocking lack of awareness about the realities of racial inequality in this country.” Among the lowest of earners, as a class, are former prisoners, who are disproportionately Black and Latinx; they also make up a large percentage of those paid at “poverty or near-poverty wages,” with fewer opportunities for advancement. Freeman takes a broad view of the relevant issues: Education is a key vehicle for economic improvement, of course, and the rush to privatize schools is meant to divert tax money from public schools to private ones. “Of the fifty wealthiest individuals listed by Forbes in 2017,” he writes, “at least forty-two of them have been directly connected to school privatization efforts.” Moreover, he notes, these individuals support not just causes and organizations, but “ecosystems of organizations” whose net effect is to support White supremacy. Other elements of this unequal system are social control by policing, harsh anti-immigrant policies, and like measures. Overall, Freeman’s book is less vigorously written than Dorothy Brown’s The Whiteness of Wealth, which covers much of the same ground in a more compelling fashion. Usefully, though, Freeman closes with the provocative call to amend the Constitution to recognize rights to education, health care, equal pay for equal work, and other public goods.

Of interest to students of ethnic and economic equity and social justice.

Pub Date: April 15, 2021

ISBN: 978-1501755132

Page Count: 312

Publisher: ILR Press/Cornell Univ.

Review Posted Online: Jan. 25, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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#GIRLBOSS

Career and business advice for the hashtag generation. For all its self-absorption, this book doesn’t offer much reflection...

A Dumpster diver–turned-CEO details her rise to success and her business philosophy.

In this memoir/business book, Amoruso, CEO of the Internet clothing store Nasty Gal, offers advice to young women entrepreneurs who seek an alternative path to fame and fortune. Beginning with a lengthy discussion of her suburban childhood and rebellious teen years, the author describes her experiences living hand to mouth, hitchhiking, shoplifting and dropping out of school. Her life turned around when, bored at work one night, she decided to sell a few pieces of vintage clothing on eBay. Fast-forward seven years, and Amoruso was running a $100 million company with 350 employees. While her success is admirable, most of her advice is based on her own limited experiences and includes such hackneyed lines as, “When you accept yourself, it’s surprising how much other people will accept you, too.” At more than 200 pages, the book is overlong, and much of what the author discusses could be summarized in a few tweets. In fact, much of it probably has been: One of the most interesting sections in the book is her description of how she uses social media. Amoruso has a spiritual side, as well, and she describes her belief in “chaos magic” and “sigils,” a kind of wishful-thinking exercise involving abstract words. The book also includes sidebars featuring guest “girlbosses” (bloggers, Internet entrepreneurs) who share equally clichéd suggestions for business success. Some of the guidance Amoruso offers for interviews (don’t dress like you’re going to a nightclub), getting fired (don’t call anyone names) and finding your fashion style (be careful which trends you follow) will be helpful to her readers, including the sage advice, “You’re not special.”

Career and business advice for the hashtag generation. For all its self-absorption, this book doesn’t offer much reflection or insight.

Pub Date: May 6, 2014

ISBN: 978-0-399-16927-4

Page Count: 256

Publisher: Portfolio

Review Posted Online: June 22, 2014

Kirkus Reviews Issue: July 15, 2014

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ORDINARY NOTES

An exquisitely original celebration of American Blackness.

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A potent series of “notes” paints a multidimensional picture of Blackness in America.

Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.

An exquisitely original celebration of American Blackness.

Pub Date: April 25, 2023

ISBN: 9780374604486

Page Count: 392

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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