Perhaps “flash fiction” is the name for these stories, but Heynen has been writing them since before that term came into...
A collection of very short pieces—some less than one page, none longer than two—that find inspiration in character sketches written by the ancient Greek philosopher Theophrastus.
Heynen (The One-room Schoolhouse: Stories About the Boys, 1993, etc.) suggests in his introduction that the “brief verbal snapshots” of his classic model provided the genesis of this collection; the title and the gentle humor throughout attest to his own generosity of spirit. Only one character has a name—the protagonist of the final story, “John Doe” (and he moves through pseudonyms in a “pursuit of anonymity” that draws more unwanted attention to him). Every other protagonist (and the majority of these stories have only one character) is an Everyman or -woman characterized by some eccentricity that may seem odd but isn’t evil and makes for some sort of common bond with the rest of the human menagerie. The author suggests that he might even be “mocking himself” in some of these pieces, “several of which are thinly disguised self-portraits.” You might not want to invite him home if he’s the hero of “Keeping One’s Secret,” whose “secret was that he urinated wherever he pleased.” Many of the stories, like that one, are essentially character description without the sort of chronological progression that could be termed plot, but those with some action read more like parables or fables. “The Girl and the Cherry Tree” is about a girl who's warned that “if you don’t stop eating so many cherries, cherries will start growing out of your ears.” And they do! As a pre-emptive strike, “The Book Reviewer” suggests the sort of disdain that the author of such a collection might feel toward those who will try to categorize it, concluding that it’s “all a matter of taste, anyhow.”
Perhaps “flash fiction” is the name for these stories, but Heynen has been writing them since before that term came into vogue.Pub Date: Nov. 11, 2014
ISBN: 978-1-57131-090-3
Page Count: 150
Publisher: Milkweed
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...
Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.
Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.Pub Date: Oct. 6, 2015
ISBN: 978-0-345-53348-7
Page Count: 368
Publisher: Bantam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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