Next book

IN THE IMAGE OF THE BRAIN

BREAKING THE BARRIER BETWEEN THE HUMAN MIND AND INTELLIGENT MACHINES

All of a sudden comes a spate of books glorifying neural networks. Do we sense a paradigm shift here? Down with the old reductionist approach of artificial intelligence? Up with the biologically more relevant parallel processing network models? So it would seem, but don't expect consensus. Unlike other recent writers in the field who argue for a specific theory (e.g., Gerald M. Edelman in Bright Air, Brilliant Fire, p. 297), Jubak (former editor of Venture magazine) provides a broad survey of current work in academia and industry, leaving it up to the reader to judge. Jubak is an enthusiast who's on top of developments in speech and pattern perception, robotics, organizing principles in brain development, and so on—but it's just not easy to convey the structure and behavior of computer networks in which the builders themselves are uncertain about what happens in the ``hidden'' layers connected to an input layer (responding to light signals, for example) and to the output layer (identifying a letter or other pattern). Overall, the models try to emulate features of the human brain in its connectivity and its ability to learn. ``Learning'' is often defined in terms of the Hebb synapse—a strengthening of the connection between neurons that fire together. Some basis for the Hebb synapse is revealed late in the book in the discovery of the NMDA receptor—one of two kinds of receptors at neuronal synapses that may be responsible for long-term potentiation. At this microcosmic level of brain science, we learn, the nerve cell itself may be a master microprocessor computing its behavior from multiple inputs summed over time and space and subject to its own feedback circuits. Jubak's useful if demanding survey reveals that the state of the science is such that the more we know the less we know; but that what the brain does is absolutely thrilling—and beautiful. (Line drawings throughout.)

Pub Date: May 22, 1992

ISBN: 0-316-47555-6

Page Count: 368

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Close Quickview