What could have been mere instruction on the concepts of little and big becomes poetically resonant in the hands of Latimer (James Bear and the Goose Gathering, 1994, etc.) and Curry, who makes his debut. Buffalo and Snail meet on the prairie. Buffalo impresses his new companion with statistics about his size and speed, until Snail wonders if she has any worthwhile talents. She proves that bulk isn't the only measure of greatness in the animal kingdom. Her odd tricks include whorling, siphoning, retracting, and possibly causing lightning and thunder. Curry's illustrations, fresh and primitive, play tricks with perspective that sometimes make Snail look larger than her friend. The story is needlessly complicated by anthropomorphic whimsy (``Snail could speak in Clam, in Mussel, and in Limpetalso Periwinkle'') and by the inexplicable appearance of a reindeer. These intrusions threaten, but never puncture, the magic of the relationship. Definitely on the idiosyncratic side, but a refreshing gambol. (Picture book. 4-8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09490-1
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A repressive teacher almost ruins second grade for a prodigy in this amusing, if overwritten, tale. Having shown a fascination with great buildings since constructing a model of the Leaning Tower of Pisa from used diapers at age two, Iggy sinks into boredom after Miss Greer announces, throwing an armload of histories and craft projects into the trash, that architecture will be a taboo subject in her class. Happily, she changes her views when the collapse of a footbridge leaves the picnicking class stranded on an island, whereupon Iggy enlists his mates to build a suspension bridge from string, rulers and fruit roll-ups. Familiar buildings and other structures, made with unusual materials or, on the closing pages, drawn on graph paper, decorate Roberts’s faintly retro cartoon illustrations. They add an audience-broadening element of sophistication—as would Beaty’s decision to cast the text into verse, if it did not result in such lines as “After twelve long days / that passed in a haze / of reading, writing and arithmetic, / Miss Greer took the class / to Blue River Pass / for a hike and an old-fashioned picnic.” Another John Lithgow she is not, nor is Iggy another Remarkable Farkle McBride (2000), but it’s always salutary to see young talent vindicated. (Picture book. 6-8)
Pub Date: Oct. 1, 2007
ISBN: 978-0-8109-1106-2
Page Count: 32
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hesse (Just Juice, p. 1600, etc.) hits some high notes in this story of parched summer days in the city. Young Tess watches as her mother tends to her woeful wilting vegetable patch; the heat is enveloping. Tess, from her perch on the fire escape, scans the sky in hopes of deliverance, and sure enough, those are rain clouds she spies. When the clouds break, everyone steps joyfully to the rain dance. Hesse’s language is a quiet, elegant surge—“ ‘Rain’s coming, Mamma,’ I say. Mamma turns to the window and sniffs. ‘It’s about time,’ she murmurs,” but it can become ornate (“trinkets of silver rain” and music that “streaks like night lightning”) and jarring amid the contained beauty of the rest of the writing. Muth contributes fine watercolor atmospherics, in sultry summer scenes where the heat is almost palpable, and raucous wet scenes of jubilant dancers. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-590-33125-6
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1998
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