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Bitter is the Wind

A readable, if somewhat programmatic, story of generational tensions in America.

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A debut novel about the troubled relationship between a working-class father and his son.

McDermott’s work is divided into four conceptual categories: “Trouble,” “Hope,” “Desire,” and “Control,” and it maps those categories onto the story of the boyhood and coming-of-age of George Johnson Jr. in 1970s and ’80s upstate New York. Young George’s father’s dreams of big-league baseball ended when he accidentally got his girlfriend, Mary Goldberg, pregnant. As McDermott opens his story, George Sr. is a widower, his wife and daughter having died in a car accident. He’s working a spiritless local job and trying his best to raise his son, who’s also beginning to have dreams of escaping small-town life. McDermott paints an effective, touching portrait of the relationship between George Sr. and Jr., skillfully catching the realistic tension between affection and boundary-testing conflict. The two clash over George Jr.’s willfulness and youthful misbehaviors and bond over baseball and a shared outlook on life. They begin a rabbit-breeding business together, and the father beams with pride when the son is valedictorian of his class in 1977. In an economically paced series of scenes, young George goes away to college and broadens his experience of life while his father stays working at his job. The novel’s later segments lack the forward momentum of the earlier coming-of-age sections; George Jr. finds himself in a corporate job every bit as restrictive as his father’s and impulsively decides to break the family pattern (“My father’s given me a good example of how not to live,” he tells one of his bosses). Overall, McDermott does a smooth job of incorporating the politics and pop culture of his story’s setting. Although he never quite succeeds in making George Jr. anywhere near as sympathetic a character as his father, he populates the peripheries of his story with colorful secondary characters, including one, Ursula Brombecker (“long-time Village matriarch and self-proclaimed repository of Salt Point’s oral history”), who commands every scene she's in.

A readable, if somewhat programmatic, story of generational tensions in America.

Pub Date: Feb. 6, 2016

ISBN: 978-1-61457-139-1

Page Count: 179

Publisher: Cune

Review Posted Online: June 20, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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