Not as liberating as it wants to be.
A classic, blacked-out and illustrated.
In perhaps—if possible—a greater disservice to this classic fairy tale than the 1989 Disney film, poet and self-described erasurist Farkas “rescues” “The Little Mermaid,” turning what she describes as a tale of a “prince-obsessed fish [who] was willing to give away her…most precious gift, just to land a boy” into a “better, stronger (and yes, feminist) story.” She accomplishes this by blacking out all the nuance along the way. Make no mistake, blackout is a subversive and powerful use of destruction as creation. As an introduction to the concept of blackout poetry, the book serves its purpose—offering up the original text reprinted in full and bound back to back with the poem not as a point of comparison, but as sacrifice for budding young blackout poets. Yet the lack of appreciation for the depth of the original text, of which the tragedy and beauty of destruction is such a core theme, is what makes this unbearably ironic. With her marker liberally applied to Andersen’s prose, Farkas produces gems like “she didn’t want her fins and tail,” and “the sweet witch… / ...beckoned her to see where she belongs. / princess of fishes, of course a boy could never change her.” The project is buoyed only by Triplett’s whimsical illustrations of marine life, a pink-haired White mermaid, and emotive, abstract currents of color rendered in what looks like paint pen.
Not as liberating as it wants to be. (author's note) (Poetry. 8-12)Pub Date: Aug. 31, 2021
ISBN: 978-1-951836-07-8
Page Count: 96
Publisher: Cameron + Company
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone.
A 7-year-old descends into the Land of the Lost in search of his beloved comfort object.
Jack has loved Dur Pig long enough to wear the beanbag toy into tattered shapelessness—which is why, when his angry older stepsister chucks it out the car window on Christmas Eve, he not only throws a titanic tantrum and viciously rejects the titular replacement pig, but resolves to sneak out to find DP. To his amazement, the Christmas Pig offers to guide him to the place where all lost Things go. Whiffs of childhood classics, assembled with admirable professionalism into a jolly adventure story that plays all the right chords, hang about this tale of loss and love. Along with family drama, Rowling stirs in fantasy, allegory, and generous measures of social and political commentary. Pursued by the Land’s cruel and monstrous Loser, Jack and the Christmas Pig pass through territories from the Wastes of the Unlamented, where booger-throwing Bad Habits roam, to the luxurious City of the Missed for encounters with Hope, Happiness, and Power (a choleric king who rejects a vote that doesn’t go his way). A joyful reunion on the Island of the Beloved turns poignant, but Christmas Eve being “a night for miracles and lost causes,” perhaps there’s still a chance (with a little help from Santa) for everything to come right? In both the narrative and Field’s accomplished, soft-focus illustrations, the cast presents White.
Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone. (Fantasy. 8-12)Pub Date: Oct. 12, 2021
ISBN: 978-1-338-79023-8
Page Count: 288
Publisher: Scholastic
Review Posted Online: Oct. 20, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A verdant, enchanting read let down by poorly executed diverse representation.
Old riddles provide a modern girl with a summer adventure.
Caspia Turkel would rather stay in her small Maine town than spend 11 weeks (the whole summer!) in Brooklyn, even though her parents are excited about the opportunities awaiting them. Within a hand-painted dresser in their rented apartment, Caspia finds a stack of pale-green linen envelopes, tied with a velvet ribbon. The letters inside were sent in the 1950s and ’60s to a girl named Minna from her loving sister, Rosalind, and they contain a series of riddles about plants. Even though she’s never given much thought to growing things before, Caspia dives into this scavenger hunt and learns unexpected things about what Rosalind dubbed the “Green Kingdom.” She also meets amazing people on her journeys around her urban neighborhood, which includes the Brooklyn Botanic Garden. The broad range of featured plants includes many that are likely to be familiar to readers. Co-authors Hartung, who has botanical expertise, and Funke, whose original German text was translated by Anna Schmitt Funke, add magic to the mundane, collaborating to create a realistic story that nevertheless feels wonderfully fantastical. Castrillón’s delicate illustrations have an old-fashioned feel and provide marvelous atmosphere as well as effectively highlighting the various plant species. Caspia, who’s white, makes a diverse group of friends in Brooklyn, but many of their portrayals feel exoticizing and othering, marring the attempt to celebrate diversity. (This review was updated to reflect further communication from the publisher regarding the translation credit.)
A verdant, enchanting read let down by poorly executed diverse representation. (Fiction. 8-12)Pub Date: April 1, 2025
ISBN: 9780593959305
Page Count: 224
Publisher: DK Publishing
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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