A somewhat scattered but endearing romp.
In Ferrone’s novel, an adult high school dropout earning her GED reflects on life’s lessons.
Twenty-nine-year-old Doreen Kablowski’s unique take on life shines through in the autobiography she’s writing as a requirement to get her high school equivalency degree. Although she grew up in Orlando, Florida, she writes of not having “a Disney-type of experience when I was growing up as a little girl…it would have been better if I had no father because there was nothing magical about him.” She’s in recovery as a glue-huffing addict; she hasn’t done it for more than a year, but she started at age 6. “All’s I know is that the shouting and crashing and hiding and running all felt a little less bad with a hit of rubber cement.” After dropping out of school in ninth grade, her life winds through a marriage and a life in the Berkshires, through a string of bad relationships, and onto a Greyhound bus back to her home city. Things take a detour after a love-at-first-sight meeting with Augusto, an undocumented worker at a Wawa convenience store in Jacksonville, Florida. Later, on the way to Orlando alone, she meets a kind older man named Rajiwho takes her to his ashram; there they meet Saul, the cousin of the ashram’s deceased founder. This unlikely trio form a strong bond and move to Orlando together, where Doreen and Raji join Narcotics Anonymous and Doreen gets a job playing Snow White at Disney World, all while struggling to move forward in her life. Readers may find the narrative structure of Ferrone’s novel to be confusing at times, with its conversational, stream-of-consciousness style, but the approach does convey Doreen’s perspective well. The realistic details of her life as a Disney princess can be amusing: “As Snow White you’re not supposed to haul off and punch somebody in the face even if they have it coming because it could scare the kids.” Overall, Ferrone’s protagonist proves to be an engaging character, and readers will root for her success as she struggles to get her life together.
A somewhat scattered but endearing romp.Pub Date: March 4, 2024
ISBN: 9781990700286
Page Count: 195
Publisher: Life to Paper Publishing
Review Posted Online: March 12, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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