by Joan G. Thomas & illustrated by Lori McElrath-Eslick ‧ RELEASE DATE: June 1, 2008
With a first-person narration in old-fashioned, rhyming verse, a little boy imagines what it would be like if a young Jesus visited his house as a friend. The unnamed boy invites Jesus into his home and they spend an afternoon playing together. In the second half of the story the narrator describes how he can use the principles that the adult Jesus taught, by attending church and serving others in need. Though the concept of Jesus as a little boy may be a little confusing to younger children at first, there is a distinct delineation between the boy’s imaginary visitor and his real life. McElrath-Eslick’s attractive illustrations use vibrant colors and a double-page-spread format to add a contemporary balance to the text, which is still in print in an earlier edition from 1951. Although it’s regrettable that they portray an all-white cast of characters, the new illustrations make this beloved poem more accessible to today’s children while still providing a traditional introduction to applying the Golden Rule in a child’s life. (Picture book/religion. 3-5)
Pub Date: June 1, 2008
ISBN: 978-0-06-083942-0
Page Count: 40
Publisher: HarperBlessings/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
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by Erin Dealey ; illustrated by G. Brian Karas ‧ RELEASE DATE: Jan. 19, 2021
Charming Easter fun.
You may know the Easter Bunny, but get ready to meet Peter Easter Frog!
Peter loves Easter, and he’s not going to let the fact that he’s a frog and not a bunny stop him, especially when he’s so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with “-ity” coupled with “Easter’s on its—” (“Squishity, squashity, Easter’s on its—”; “Yippity, yappity, Easter’s on its—”); each page turn playfully upends the expected conclusion of the line. Karas’ cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dog’s challenge that she is not a cow-bunny by pointing out its own breed as a “sheepdog” may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunny—hilariously, at the end of a dark tunnel—it seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.)
Charming Easter fun. (Picture book. 3-5)Pub Date: Jan. 19, 2021
ISBN: 978-1-4814-6489-5
Page Count: 32
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Anna Pignataro ; illustrated by Anna Pignataro ‧ RELEASE DATE: Jan. 28, 2020
A sweet cetacean story.
The flora and fauna of the ocean respond to a lonely whale’s beautiful music by helping him find another whale.
“Whale’s song was so beautiful it could reach the farthest of faraways.” Over a double-page spread, a simply drawn white whale—detailed with a large eye, a small mouth and fins, and a small lavender heart—swims past a variety of pastel-hued sea denizens. The lyrical text is set in type that emulates hand-lettering. Watercolors are the appropriate choice for a tale that occurs in a sea full of creatures—with an occasional glimpse of land and sky as well as a cheerfully colored sailboat and lighthouse. Collage, pencil sketching, and washes produce a dreamlike effect that also feels sweetly humorous. A double-page spread of sea horses lounging atop spirited jellyfish is especially whimsical. Musical terms are cleverly used to describe the singing whale’s positive effects on others (“a cheerful symphony for a sad urchin”). After several pages of poetic lines about the talented singer, readers learn that his heart feels “empty.” The ocean carries his sighing wish across miles of lovingly rendered sea habitats until the solo becomes a duet. Although the flap copy speaks of friendship, even the youngest of readers will sense that this is a whale of a romance. Beneath its warmth is a poignant reminder of the loss to all if whale songs become history.
A sweet cetacean story. (Picture book. 3-5)Pub Date: Jan. 28, 2020
ISBN: 978-1-984-83627-4
Page Count: 40
Publisher: Philomel
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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