Perfect for end-of-the–school-year read-alouds and good fun all year long.
Once school’s out for summer, the kids on a School Crossing sign decide to take a vacation.
Leaping off to adventure, they encounter a bike sign (conveniently, an equally sentient and riderless tandem) inviting it along. The three cruise the bike path, beckoning other signs to take a break from their own jobs. In Holub’s wry, pun-filled text, much of it delivered in word bubbles, many signs “[jump] at the chance.” Farrell’s humorous illustrations depict the black silhouettes of newly liberated, ambulatory figures (a park ranger, hikers, a bear, road workers). Entire signs, like HAIRPIN TURN and ONE WAY, sport sturdy white arms and legs. This animated throng is soon cavorting on the rides at the Adventureland amusement park. From atop the Ferris wheel the alarmed kids who started this all clearly spy the signless town’s growing confusion: Cars collide on a one-way street, and summer school students are unsure about safe routes to school. In character, a certain sign takes charge. “STOP! The party’s OVER!...please proceed back to your signposts.” Racing back, lessons learned, the signs resolve never to leave their posts. Almost never, that is. Final pages reveal them making quick dashes to the ice cream wagon for double dip cones: It’s summer, after all. This union of dialogue-rich text and panoramic representations of a diverse town provides a just-right balance between community-safety instruction and kid-appealing hijinks.
Perfect for end-of-the–school-year read-alouds and good fun all year long. (Picture book. 3-8)Pub Date: June 2, 2020
ISBN: 978-0-399-17225-0
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A bittersweet tale for kids that deftly illustrates the conflicting emotions that can occur when a loved one is struggling...
In Bertone’s illustrated children’s book, a young boy navigates his increasingly complex but loving relationship with his grandmother, who has Alzheimer’s disease.
Nate loves his Nana, but lately he’s noticed “something going on with her mind.” She begins acting oddly: attempting to read a book upside down, for instance, or forgetting that it’s his birthday party and not hers. As she becomes more preoccupied with “imaginary friends” that Nate can’t see, he becomes increasingly upset that she doesn’t play with him the way she used to: “Sometimes my Nana goes far away, traveling, in her mind. But, where? It’s hard to say! To Italy, outer space, or back to 1952. When Nana’s not here, I don’t know what to do.” Although other people, including Papa (Nate’s grandfather), tend to argue with her when she gets in those moods, Nate tries his hardest to be understanding. As he wonders if she’ll be around to see him get older, she reassures him that her love will remain forever, “though I may forget your name and your face.” Bertone tells the story in verse, with only one or two sentences per page. Claridades’ cartoon illustrations feature wide-eyed characters and pops of color that perfectly encapsulate the story’s shifting moods. When Nana talks to people who aren’t present, for example, the illustrator shades the ghosts of her past in a solid color to differentiate them from reality. The book skillfully blends hard facts and feelings, mentioning Alzheimer’s disease symptoms, such as mood swings, while also demonstrating Nate’s patience and adoration. The lack of parental figures in the book seems like a missed opportunity for the story to clearly explain to Nate, and young readers, what’s happening with Nana. By and large, though, the book manages to convey the reality of the disease to kids in an approachable way that encourages discussion. The book ends with resources for “Understanding aging, dementia, and Alzheimer’s.”
A bittersweet tale for kids that deftly illustrates the conflicting emotions that can occur when a loved one is struggling with dementia.Pub Date: Sept. 17, 2024
ISBN: 9798989403417
Page Count: 50
Publisher: Susan Schadt Press
Review Posted Online: Sept. 19, 2024
Review Program: Kirkus Indie
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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